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Propaganda activities in Japan have been discussed as far back as the Russo-Japanese War of the first decade of the 20th century. [2] Propaganda activities peaked during the period of the Second Sino-Japanese War and World War II. [3] [4] Scholar Koyama Eizo has been credited with developing much of the Japanese propaganda framework during that ...
Japanese propaganda poster featuring Japanese agrarian immigrants in Manchukuo, designed for a Westerner audience. The Allies were also attacked as weak and effete, unable to sustain a long war, a view at first supported by a string of victories. [176] The lack of a warrior tradition such as bushido reinforced this belief. [177]
Momotaro: Sacred Sailors (桃太郎 海の神兵, Momotarō: Umi no Shinpei) [2] is the first Japanese feature-length animated film. [3] It was directed by Mitsuyo Seo, who was ordered to make a propaganda film for World War II by the Japanese Naval Ministry. Shochiku Moving Picture Laboratory shot the 74-minute film in 1944 and screened it on ...
Download QR code; Wikidata item; Print/export Download as PDF; Printable version; In other projects ... Propaganda in Japan during the Second Sino-Japanese War and ...
Japan began to establish new organizations. This ban on political activity was followed by large-scale propaganda campaign in support of the Japanese-sponsored mass movement. [2] The first attempt of a mass movement, the 3A Movement was started in Java. The movement was formed in early April 1942, a few weeks after the arrival of the Japanese. [3]
Among the factors that led to the emergence of propaganda kimono, three stand out: the introduction of modern textile manufacturing and printing equipment into Japan in the late 19th century, [5] the social and political impetus for Japan to modernize, [6] and, following the Japanese invasion of Manchuria in 1931, political desire to rally support for colonial expansion. [3]
Walter Kaner (May 5, 1920 – June 26, 2005) was a journalist and radio personality who broadcast using the name Tokyo Mose during and after World War II. Kaner broadcast on U.S. Army Radio, at first to offer comic rejoinders to the propaganda broadcasts of Tokyo Rose and then as a parody to entertain U.S. troops abroad.
Maya's nickname as "The Rose" and the "Voice of Free Arcadia" mirrors the romantic image of the secret French Resistance radio broadcasters and of the Japanese propaganda machine featuring radio broadcasts by English speaking female announcers collectively known as "Tokyo Rose". These announcers relayed bad news from the home front.