Search results
Results from the WOW.Com Content Network
A mid-17th century painting by Jacob Duck, called The Cotillion, is the earliest possible reference to a dance with this name.. The name cotillion appears to have been in use as a dance-name at the beginning of the 18th century but, though it was only ever identified as a sort of country dance, it is impossible to say of what it consisted at that early date.
The history of dance is difficult to access because dance does not often leave behind clearly identifiable physical artifacts that last over millennia, such as stone tools, hunting implements or cave paintings. It is not possible to identify with exact precision when dance becomes part of human culture. Dance is filled with aesthetic values ...
Contact Improvisation (CI) is a postmodern dance practice that explores movement through shared weight, touch, and physical awareness. Originating in the United States in 1972, contact improvisation was developed by dancer and choreographer Steve Paxton, drawing on influences from modern dance, aikido, and somatic practices. [2]
Historical dance (or early dance) is a term covering a wide variety of Western European-based dance types from the past as they are danced in the present. Today historical dances are danced as performance , for pleasure at themed balls or dance clubs, as historical reenactment , or for musicological or historical research.
Copper engraving of the "Great Galop" of Johann Strauss (1839). Galop rhythm. [1]In dance, the galop, named after the fastest running gait of a horse (see Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popular in Vienna, Berlin and London.
Closely related to the development of American music in the early 20th century was the emergence of a new, and distinctively American, art form – modern dance.Among the early innovators was Isadora Duncan (1878–1927), who stressed pure, unstructured movement in lieu of the positions of classical ballet.
The galliard was a favourite dance of Queen Elizabeth I of England, and although it is a relatively vigorous dance, in 1589 when the Queen was aged in her mid-fifties, John Stanhope of the Privy Chamber reported, "the Queen is so well as I assure you, six or seven galliards in a morning, besides music and singing, is her ordinary exercise."
A Juba dance performance could include steps such as the "Jubal Jew", "Yaller Cat", "Pigeon Wing" and "Blow That Candle Out". The dance traditionally ends with a step called the " Long Dog Scratch ". Modern variations on the dance include Bo Diddley 's " Bo Diddley Beat " and the step-shows of African American Greek organizations .