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The era of revolution in Indonesia made many Indonesian painters shift from romantic themes to tend toward "populist". Objects related to the natural beauty of Indonesia were considered a theme that betrayed the nation, because they were considered to be a curse on the capitalists who were enemies of the popular ideology of communism at that time.
A drawing of twin mountains (Indonesian: pemandangan gunung kembar, "twin mountain view", or pemandangan gunung legendaris, "legendary mountain view") is a drawing pattern commonly made by Indonesian kindergarten and primary school students. The drawing is often produced by students who are asked by their teacher to draw natural features. [1]
The Puri Lukisan Ratna Wartha Museum (Indonesian: Museum Puri Lukisan Ratna Warna) is the oldest art museum in Bali which specialize in modern traditional Balinese paintings and wood carvings. The museum is located in Ubud , Bali , Indonesia .
Ida Bagus Made's paintings are some of the best examples of the Ubud school from the Pitamaha generation, and have not been surpassed by younger painters. [2] His paintings have been acquired by prestigious institutions all over the world, including the United Nations, the Royal Tropical Institute Museum (Amsterdam) and the Royal Ethnographic Museum (Leiden).
Fransiskus Xaverius Basuki Abdullah (born Muhammad Basuki Abdullah, 25 January 1915 – 5 November 1993) was an Indonesian painter and a convert to Roman Catholicism from Islam. [1]
This is a list of visual artists from, or associated, with Indonesia A. Basuki Abdullah (1915-1993), painter; Affandi (1907–1990), painter; Kartika Affandi-Koberl ...
Budiana is the artist with one of the most impressive solo exhibition track records. His paintings are collected by the Fukuoka Museum of Arts, Bentara Budaya Jakarta, Museum Puri Lukisan, Neka Museum, and Arma Museum. Ida Bagus Sena also has developed a unique style and has a deep understanding of Balinese philosophy in his paintings.
Masriadi received his training in art at the Institute Seni Indonesia (ISI) Yogyakarta. From the time he was an art student, he had already been recognized by peers as one of the first contemporary Balinese artists who eased himself away from an encompassing concern with Balinese life, culture and traditions in his works.