Search results
Results from the WOW.Com Content Network
The American independent film, beginning in the 1910s but prior to the 1980s and first half of the 1990s, [19] [20] [11] was previously associated with race films, [21] Poverty Row b movies (e.g. Republic Pictures [22] [23]), exploitation films, avant-garde underground cinema (when it was known as the New American Cinema [24] [25]), social and political documentaries, experimental animated ...
Filmmakers Stéphane Brizé (second from the right) and Rodrigo Moreno (second from the left) at a screening of The Measure of a Man in Buenos Aires in 2019. An independent film, independent movie, indie film, or indie movie is a feature film or short film that is produced outside the major film studio system in addition to being produced and distributed by independent entertainment companies ...
Researchers have identified a strong relationship between prior film experience and conscious awareness of visual manipulations, especially for people with practical experience in production. [22] One study compared the participants’ ability to understand narrative in Hollywood versus experimental film, by measuring interpretational awareness.
Psychoanalytic film theory is a school of academic thought that evokes the concepts of psychoanalysts Sigmund Freud and Jacques Lacan. The theory is closely tied to Critical theory, Marxist film theory, and Apparatus theory. The theory is separated into two waves. The first wave occurred in the 1960s and 70s.
The semiological theory of syntagm and paradigm (originally formulated by Ferdinand de Saussure and later worked on by Roland Barthes) helps to define the relationship between the database-narrative opposition. In this theory the syntagm is a linear stringing together of elements while at the paradigmatic each new element is chosen from a set ...
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
The meaning of a film, plus the way the viewing subject is constructed and the mechanics of the actual process and production of making the film affect the representation of the subject. This effect is ideological because it is a reproduced reality and the cinematic experience affects the viewer on a deep level.
Screen theory is a Marxist–psychoanalytic film theory associated with the British journal Screen in the early 1970s. [1] It considers filmic images as signifiers that do not only encode meanings but also mirrors in which viewers accede to subjectivity. [ 2 ]