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The wall paintings of ancient Thera are famous frescoes discovered by Spyridon Marinatos at the excavations of Akrotiri on the Greek island of Santorini (or Thera). They are regarded as part of Minoan art , although the culture of Thera was somewhat different from that of Crete , and the political relationship between the two islands at the ...
Sacrifice of Iphigenia. Antique fresco from Pompeii. Timanthes of Cythnus (Greek: Τιμάνϑης) was an ancient Greek painter of the fourth century BC. The most celebrated of his works was a picture representing the sacrifice of Iphigenia, in which he finely depicted the emotions of those who took part in the sacrifice; however, despairing of rendering the grief of Agamemnon, he represented ...
Fractio Panis (English: Breaking of Bread) is the name given to a fresco in the Greek Chapel (Capella Greca) in the Catacomb of Priscilla, situated on the Via Salaria Nova in Rome. The fresco depicts seven persons at a table, possibly all women, due to the long skirts (men's wouldn't come past the calf), veil, and all of their upswept hair.
Greek art, especially sculpture, continued to enjoy an enormous reputation, and studying and copying it was a large part of the training of artists, until the downfall of Academic art in the late 19th century. During this period, the actual known corpus of Greek art, and to a lesser extent architecture, has greatly expanded.
Buried and unseen for nearly 2,000 years, a series of striking paintings showing Helen of Troy and other Greek heroes has been uncovered in the ruined Roman town of Pompeii.
The fresco griffins from the "Throne Room" wear plumed crowns comparable to the "Priest-King", and if his crown in fact come from another figure, that would be a possibility. In the view of Nanno Marinatos, in Minoan art "the plumed crown" is only worn by deities, griffins and the queen, who is, by definition, also the chief priestess. [11]
The most impressive discovery is an expansive fresco that depicts the Greek legend Helen of Troy, painted on the high walls of a large banqueting hall that was thought to be owned by a high-status ...
Close-up of central figure of the Taureador Fresco. [3]Arthur Evans recognized that depictions of bulls and bull-handling had a long tradition represented by copious instances in multi-media art, not only at Knossos, and other sites on Crete, but also in the Aegean and on mainland Greece, with a tradition even more ancient in Egypt and the Middle East.