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Amphisbaenic rhyme describes a pair of words that create an agreement in sound if the sequence of the letters in one of the words is reversed. [1] The term refers to the amphisbaena serpent in classical mythology. [2] The serpent had a head at each end of its body and therefore was able to move forwards and backwards.
"The Highwayman" is reputed to be "the best ballad poem in existence for oral delivery". [3] It makes use of vivid imagery to describe surroundings ("the road was a gipsy's ribbon, looping the purple moor - ") and repetitious phrases to emphasise action ("A red-coat troop came marching - marching - marching -").
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
Poetic devices that have a sonic quality achieve specific effects when heard. Words with a sound-like quality can strike readers as soothing or dissonant while evoking certain thoughts and feelings associated with them. Alliteration–Repeated consonant sounds at the beginning of words placed near each other, usually on the same or adjacent ...
This poem contains 841 characters in a square grid that can be read backwards, forwards, and diagonally, with new and sometimes contradictory meanings in each direction. [2] Reversible poems in Chinese may depend not only on the words themselves, but also on the tone to produce a sense of poetry. [ 3 ]
It has only 2 rhymes, with the opening words used twice as an un-rhyming refrain at the end of the 2nd and 3rd stanzas. Virelai; Found poem: a prose text or texts reshaped by a poet into quasi-metrical lines. Haiku: a type of short poem, originally from Japan, consisting of three lines in a 5, 7, 5 syllable pattern. [2]
An illustration of the fable of Hercules and the Wagoner by Walter Crane in the limerick collection "Baby's Own Aesop" (1887). The standard form of a limerick is a stanza of five lines, with the first, second and fifth rhyming with one another and having three feet of three syllables each; and the shorter third and fourth lines also rhyming with each other, but having only two feet of three ...
Alliteration can also add to the mood of a poem. If a poet repeats soft, melodious sounds, a calm or dignified mood can result. If harsh, hard sounds are repeated, on the other hand, the mood can become tense or excited. [31] In this poem, alliteration of the s, l, and f sounds adds to a hushed, peaceful mood: