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This poem contains 841 characters in a square grid that can be read backwards, forwards, and diagonally, with new and sometimes contradictory meanings in each direction. [2] Reversible poems in Chinese may depend not only on the words themselves, but also on the tone to produce a sense of poetry. [3]
Amphisbaenic rhyme describes a pair of words that create an agreement in sound if the sequence of the letters in one of the words is reversed. [1] The term refers to the amphisbaena serpent in classical mythology. [2] The serpent had a head at each end of its body and therefore was able to move forwards and backwards.
Vroom (and variant spelling) is an onomatopoeia [1] that represents the sound of an engine revving up. [2] It also describes the act of purposefully operating a motor vehicle at high speeds so as to create loud engine noises. [3]
A mondegreen (/ ˈ m ɒ n d ɪ ˌ ɡ r iː n / ⓘ) is a mishearing or misinterpretation of a phrase in a way that gives it a new meaning. [1] Mondegreens are most often created by a person listening to a poem or a song; the listener, being unable to hear a lyric clearly, substitutes words that sound similar and make some kind of sense.
An illustration of the fable of Hercules and the Wagoner by Walter Crane in the limerick collection "Baby's Own Aesop" (1887). The standard form of a limerick is a stanza of five lines, with the first, second and fifth rhyming with one another and having three feet of three syllables each; and the shorter third and fourth lines also rhyming with each other, but having only two feet of three ...
It has only 2 rhymes, with the opening words used twice as an un-rhyming refrain at the end of the 2nd and 3rd stanzas. Virelai; Found poem: a prose text or texts reshaped by a poet into quasi-metrical lines. Haiku: a type of short poem, originally from Japan, consisting of three lines in a 5, 7, 5 syllable pattern. [2]
The pattern that the line-ending words follow is often explained if the numbers 1 to 6 are allowed to stand for the end-words of the first stanza. Each successive stanza takes its pattern based upon a bottom-up pairing of the lines of the preceding stanza (i.e., last and first, then second-from-last and second, then third-from-last and third ...
"The Highwayman" is reputed to be "the best ballad poem in existence for oral delivery". [3] It makes use of vivid imagery to describe surroundings ("the road was a gipsy's ribbon, looping the purple moor - ") and repetitious phrases to emphasise action ("A red-coat troop came marching - marching - marching -").