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"Tiến Quân Ca" (lit. "The Song of the Marching Troops") is the national anthem of Vietnam.The march was written and composed by Văn Cao in 1944, and was adopted as the national anthem of North Vietnam in 1946 (as per the 1946 constitution) and subsequently the Socialist Republic of Vietnam in 1976 following the reunification of Vietnam.
[2] [3] He, along with Phạm Duy and Trịnh Công Sơn, is widely considered one of the three most salient figures of 20th-century (non-classical) Vietnamese music. [4] Văn Cao was also a notable poet and a painter. In 1996, he was posthumously awarded the Hồ Chí Minh Prize for Music. [5]
In 1948, the Provisional Central Government of Vietnam adopted the song as its national anthem. The song was later modified, changing its name to Tiếng Gọi Công Dân (Call to the Citizens) or Công Dân Hành Khúc (March of the Citizens), and became the official national anthem of South Vietnam. [2]
Claude Joseph Rouget de Lisle, the composer of the French national anthem "La Marseillaise", sings it for the first time. The anthem is one of the earliest to be adopted by a modern state, in 1795. Most nation states have an anthem, defined as "a song, as of praise, devotion, or patriotism"; most anthems are either marches or hymns in style. A song or hymn can become a national anthem under ...
In the 1945 with the creation of the short-life Empire of Vietnam, prime minister Trần Trọng Kim selected "Đăng đàn cung" as Vietnam's national anthem. However, the Empire was dissolved soon after. Nowadays, this piece of music is still played in Vietnam. It is used frequently in the tourist industry as a sampler of traditional ...
The authors had to use a novel pseudonym to maintain the independence of the National Liberation Front of South Vietnam. The song had to be easy to remember, sing, perform and popularize. Mai Văn Bộ and Huỳnh Văn Tiểng wrote the lyrics and Lưu Hữu Phước composed the music.
Xẩm or Hát xẩm (Xẩm singing) is a type of Vietnamese folk music which was popular in the Northern region of Vietnam but is considered nowadays an endangered form of traditional music in Vietnam. In the dynastic time, xẩm was performed by blind artists who wandered from town to town and earned their living by singing in common places.
The protest music that came out of the Vietnam War era was stimulated by the unfairness of the draft, the loss of American lives in Vietnam, and the unsupported expansion of war. The Vietnam War era (1955–1975) was a time of great controversy for the American public.