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Guler's rich colors were achieved by hand-painting sections of glass (from France, Germany and the US) with glass paints: ground glass mixed with iron oxide, yellow stain and other colorants; then firing the painted glass in a kiln. Windows made with this detailed painting are known as Munich-style stained-glass, or Munich windows. [3]
Henry Willet created the first sculptured gold window between 1948–49. When first devised, the sculptured gold overlay was based on leaded stained glass windows. Later, faceted glass set in epoxy resin was used. These glasses, about an inch in thickness, but possibly up to two inches for special effects, contribute great brilliance of color ...
Also the stained glass in the east window of the Parish Church of St Mary Magdalene, Gillingham. [4] Other windows by this firm are in Wimborne Minster 1857, Peterborough Cathedral 1864 and St Mary's Parish Church, Hampton c1888. A documentary film, Stained Glass Masters: Heaton, Butler and Bayne, was produced in 2000 by the film maker Karl ...
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
Detail, East window, St Peter's, Burnham Caricature of John Richard Clayton [2]. In the 1850s a number of young designers worked in conjunction with the Gothic Revival architects in the provision of stained glass for new churches and for the restoration of old.
Giannini and Hilgart is a studio established in 1899 which manufactured stained glass windows. [1] It was formed by Orlando Giannini, a Swiss-Italian from Ohio, and Frederick Hilgart, born in Germany. [2] [3] The studio created and designed colorful glass windows for businesses, homes, churches, [4] [5] [6] fireplaces, [7] and mantels.
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