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Kintsugi (Japanese: 金継ぎ, lit. 'golden joinery'), also known as kintsukuroi (金繕い, "golden repair"), [1] is the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold, silver, or platinum. The method is similar to the maki-e technique.
Chinese export porcelain made for European markets was a well-developed trade before Japanese production of porcelain even began, but the Japanese kilns were able to take a significant share of the market from the 1640s, when the wars of the transition between the Ming dynasty and the Qing dynasty disrupted production of the Jingdezhen porcelain that made up the bulk of production for Europe ...
Around 700 years ago, particularly among the Japanese nobility, understanding emptiness and imperfection was honored as tantamount to the first step to satori or enlightenment. In today's Japan, the meaning of wabi-sabi is often condensed to "wisdom in natural simplicity". In art books, it is typically defined as "flawed beauty". [10]
Japanese pottery strongly influenced British studio potter Bernard Leach (1887–1979), who is regarded as the "Father of British studio pottery". [31] He lived in Japan from 1909 to 1920 during the Taishō period and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad.
Issō was an early reformer of pottery, asserting the potential of ceramics to be a form of art. Perhaps for this reason, Yagi was sent to take classes in sculpture. [ 2 ] In 1937 he graduated from the sculpture program at Kyoto Shiritsu Bijutsu Kōgei Gakkō (Kyoto City School of Art and Craft, today Kyoto Shiritsu Geijutsu Daigaku or Kyoto ...
Kawai Kanjirō (河井 寬次郎, 24 August 1890, in Yasugi, Shimane – 18 November 1966) was a Japanese potter and a key figure in mingei (Japanese folk art) and studio pottery movements, which included Bernard Leach, Shōji Hamada, Kenkichi Tomimoto, Shikō Munakata, Keisuke Serizawa, and Tatsuzō Shimaoka, among others.
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Yayoi pottery (弥生土器 Yayoi doki) is earthenware pottery produced during the Yayoi period, an Iron Age era in the history of Japan traditionally dated 300 BC to AD 300. [1] The pottery allowed for the identification of the Yayoi period and its primary features such as agriculture and social structure.