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Restored Mogao Christian painting, possibly a representation of Jesus Christ.The original work dates back to the 9th century. The Jingjiao Documents (Chinese: 景教經典; pinyin: Jǐngjiào jīngdiǎn; also known as the Nestorian Documents or the Jesus Sutras) are a collection of Chinese language texts connected with the 7th-century mission of Alopen, a Church of the East bishop from ...
[1] [2] Chinese symbols often have auspicious meanings associated to them, such as good fortune, happiness, and also represent what would be considered as human virtues, such as filial piety, loyalty, and wisdom, [1] and can even convey the desires or wishes of the Chinese people to experience the good things in life. [2]
Xinxin Ming (alternate spellings Xin Xin Ming or Xinxinming) (Chinese: 信心銘; Pīnyīn: Xìnxīn Míng; Wade–Giles: Hsin Hsin Ming; Rōmaji: Shinjinmei), meaning literally: "Faith-Mind Inscription", is a poem attributed to the Third Chinese Chán Patriarch Jianzhi Sengcan (Chinese: 鑑智僧璨; Pīnyīn: Jiànzhì Sēngcàn; Wade–Giles: Chien-chih Seng-ts'an; Romaji: Kanchi Sōsan ...
The Church of the East (also known as the Nestorian Church) was a Christian organization with a presence in China during two periods: first from the 7th through the 10th century in the Tang dynasty, when it was known as Jingjiao (Chinese: 景教; pinyin: Jǐngjiào; Wade–Giles: Ching 3-chiao 4; lit.
For Chinese Muslims, the principal term for God is also Zhēnzhǔ (真主) but transliterations of the Arabic Allāh also exist as Ālā (阿拉), and as Ānlā (安拉; Ān, "Peace" + Lā, "Help"). [10] The term Húdà (胡大), from the Persian term for God, khudai, is seen more often in north-western China.
Chinese spiritual world concepts are cultural practices or methods found in Chinese culture.Some fit in the realms of a particular religion, others do not. In general these concepts were uniquely evolved from the Chinese values of filial piety, tacit acknowledgment of the co-existence of the living and the deceased, and the belief in causality and reincarnation, with or without religious ...
The Twelve Ornaments (Chinese: 十二章; pinyin: Shí'èr zhāng) are a group of ancient Chinese symbols and designs that are considered highly auspicious. They were employed in the decoration of textile fabrics in ancient China, which signified authority and power, and were embroidered on vestments of state.
The term is commonly used in Chinese culture to denote the three attributes of a good life. Statues of these three gods are found on the facades of folk religion's temples, ancestral shrines , in homes and many Chinese-owned shops, often on small altars with a glass of water, an orange or other auspicious offerings, especially during Chinese ...