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Brian Wilson supplied the vocals on both lead and harmony through overdubbing. The lyrics refer obliquely to nostalgia for The Beach Boys ("another car running fast; another song on the beach," "I took a trip to the past"), while the arrangement references The Beatles' "Sgt. Pepper" with the piccolo trumpet in the chorus.
See pages 53ff. in Conversations with August Wilson: [8] "Joe Turner was the brother of Pete Turner, who was the governor of Tennessee, who would press Negroes in peonage." Also, see W. C. Handy 's autobiography, p. 145: [ 9 ] "It goes back to Joe Turney (also called Turner), brother of Pete Turney, one-time governor of Tennessee.
The album is said to be "a genre-spanning collection that opens up like a musical puzzle box" and musically more complex than Wilson's previous album. [ 10 ] [ 11 ] Along with the release of the standalone record, also released was a three-disc limited edition featuring a collection of bonus tracks under the name Harmonic Distortion .
It consists almost entirely of rerecordings of Wilson's past songs. The title is taken from the song of the same name which Wilson wrote in 1966 with collaborator Tony Asher for the Beach Boys' album Pet Sounds. Wilson commented of the rerecordings in a 1995 interview: “At first, I thought ‘This is gonna be contrived, the songs were all old ...
The Beatles at a press conference during their August 1965 North American tour, two months before the start of the Rubber Soul sessions. Most of the songs on Rubber Soul were composed soon after the Beatles' return to London following their August 1965 North American tour. [4] The album reflects the influence of their month in America. [5]
The oldest existing text source is a manuscript dated before 1450. It was found in the Strasbourg Dominican convent of St. Nikolaus in undis. Due to the fact that the mystic Johannes Tauler visited this convent frequently, the lyrics of this song are attributed to him. Reference is the word "enphohet" (received) which is characteristically used ...
Radio Golf is a play by American playwright, August Wilson, the final installment in his ten-part series, The Century Cycle. It was first performed in 2005 by the Yale Repertory Theatre in New Haven, Connecticut and had its Broadway premiere in 2007 at the Cort Theatre. It is Wilson's final work. [1]
The song is mentioned in My Breaking Point, God's Turning Point: Experience God's Amazing Power to Restore by Ricky Texada. The author recounts hearing the song on the radio in the summer of 1976 and singing it over and over, especially after meeting a young lady with big brown eyes.