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Polly Irungu, photographer and journalist; Osborne Macharia (born 1986) Boniface Mwangi ... Art Hupy (1924–2003) George Hurrell (1904–1992) Philip Hyde (1921–2006)
Maggie Taylor (born 1961 in Cleveland, Ohio) is an artist who works with digital images.She won the Santa Fe Center for Photography's Project Competition in 2004. [1] [2] Her work has been widely exhibited in the United States and Europe and is represented within the permanent collections of several galleries and museums.
Lee Marmon (Laguna Pueblo), next to his most famous photograph, "White Man's Moccasins". Photography by indigenous peoples of the Americas is an art form that began in the late 19th century and has expanded in the 21st century, including digital photography, underwater photography, and a wide range of alternative processes.
Sally Mann (born Sally Turner Munger; May 1, 1951) [1] is an American photographer known for making large format black and white photographs of people and places in her immediate surroundings: her children, husband, and rural landscapes, as well as self-portraits.
Two drops of milk imaged by fast-film stroboscopic photography [s 2] [s 3] [s 4] First Digital Photo: 1957 Russell Kirsch: Gaithersburg, Maryland, United States Photo composite of two binary scans [s 2] [s 4] Elizabeth Eckford: 1957 Will Counts: Little Rock, Arkansas, United States
Steve McCurry (born April 23, 1950) is an American photographer, freelancer, and photojournalist.His photo Afghan Girl, of a girl with piercing green eyes, has appeared on the cover of National Geographic several times.
It has cultivated a strong community of digital artists, offering features like portfolio building and social interaction that allow artists to showcase their work to a broad audience. [53] Behance: Owned by Adobe, Behance is a platform that connects creative professionals across multiple disciplines, including digital art. Integrated with ...
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.
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