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Cast a Dark Shadow is a 1955 British suspense film noir directed by Lewis Gilbert and written by John Cresswell, based on the 1952 play Murder Mistaken by Janet Green. [2] It stars Dirk Bogarde, Margaret Lockwood, Kay Walsh, Kathleen Harrison and Robert Flemyng.
The Spanish Cape Mystery (1935), first Ellery Queen film; The Triumph of Sherlock Holmes (1935) After the Thin Man (1936) The Case of the Black Cat (1936) The Case of the Velvet Claws (1936) Charlie Chan at the Circus (1936) Charlie Chan at the Opera (1936) Charlie Chan at the Race Track (1936) Charlie Chan's Secret (1936) The Garden Murder ...
The story "The Boy Cried Murder" was published in 1947 and optioned by RKO who assigned Fredrick Ullman to produce. Ullman had been head of RKO's documentary and shorts department. Dickie Tyler, who had been in The Bells of St Marys and Christopher Blake was mentioned as a possible star. [5] The film was to be made at RKO's Pathe Studio in New ...
Nobody can resist a good mystery.Whether it's a whodunnit crime story, a tale of suspense that keeps you guessing, or a mind-bending psychological thriller, putting the pieces together sitting in ...
Compulsion is a 1959 American crime drama film directed by Richard Fleischer, based on the 1956 novel of the same name by Meyer Levin, which in turn is a thinly-fictionalized account of the Leopold and Loeb murder trial. The film stars Dean Stockwell and Bradford Dillman as the perpetrators (called 'Judd Steiner' and 'Artie Straus' in the film ...
Throughout 2024, Netflix released many new comedies, thrillers, and family movies, but critics didn't love all of them. Here are the best and worst.
Victor Mature plays Nick Bianco, the lead role in the film. Coleen Gray plays Nettie, his second wife, who also narrates the beginning and ending of the film. Brian Donlevy plays Louis D'Angelo, the assistant district attorney. Kiss of Death is notable for being Richard Widmark's film debut as Tommy Udo (a role originally announced for Richard ...
On Rotten Tomatoes the film has an approval rating of 88% based on reviews from 25 critics. [4]The New York Times, in its May 1950 review, described it as a "fairly obvious and plodding recital, involving crime, passion, stolen iridium, gangland beatings and one man's innocent bewilderment upon being caught up in a web of circumstance that marks him for death".