Search results
Results from the WOW.Com Content Network
Flamenco embodies a wealth of musical cultures — Roma, Arab, Berber, Jewish, and Christian. [1] Flamenco developed into its definitive form during its Golden Age (1869-1910). Beginning in 1910, cante flamenco was popularized by the opera flamenca which included the lighter forms of flamenco such as fandangos and cantes de ida y vuelta.
In Santa Fe, Benítez founded a school (María Benítez Institute for Spanish Arts, 1974) and a young people's dance company (Flamenco's Next Generation, 2002), and worked to get younger ...
For premium support please call: 800-290-4726 more ways to reach us
Cante Intermedio group: includes granaínas, jabera, malagueñas, medio polo', mineras, petenera, policaña, tarantas/taranto, and tientos. All of them are accompanied with singing. All of them are accompanied with singing.
Emmy Grimm, known by her stage name La Emi is a professional Flamenco dancer and native to New Mexico who performs as well as teaches Flamenco in Santa Fe. She continues studying her art by traveling to Spain to work intensively with Carmela Greco and La Popi, as well as José Galván, Juana Amaya, Yolanda Heredia, Ivan Vargas Heredia, Torombo ...
A flamenco artist, for him, needs technique and dedication: "It is us, the professional artists of flamenco, who have to make cante flamenco, and nobody else, Flamenco, like any other art, is an art of professionals, although there are many people who peer at us, with a look as if to say: What interesting little creatures! or maybe: Oh!
The Spanish term Cantes a palo seco refers to a category of flamenco palos (musical forms) traditionally sung a cappella or, in some cases, with some sort of percussion. [1] The category comprises the following palos: Tonás [2] Martinetes; Debla [3] Carceleras [4] Saetas; Trilla or Trilleras.
José Carlos de Luna, De cante grande y cante chico (Madrid: Editorial Escelicer [1926] 3d ed. 1942). Anselmo González Climent, Flamencologia (Madrid: Editorial Escelicer [1955] 1964). Félix Grande, Memoria del Flamenco (Madrid: Espasa-Calpe 1979), 2 volumes. Domingo Manfredi Cano, Geografia del cante jondo (Madrid: Editorial Bullón 1963).