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A product of Stradivari’s golden period, it is considered one of his finest. [3] One of two Stradivari violins named after Belgian industrialist Amédée Soil, this instrument is characterized by its brilliant red varnish and a two-piece maple back with the flames of the grain joined, descending from the edges toward the center.
A violin consists of a body or corpus, a neck, a finger board, a bridge, a soundpost, four strings, and various fittings.The fittings are the tuning pegs, tailpiece and tailgut, endpin, possibly one or more fine tuners on the tailpiece, and in the modern style of playing, usually a chinrest, either attached with the cup directly over the tailpiece or to the left of it.
"Leandro Bisiach did a great deal of research and found some old recipes. The varnish on the instruments from his best period is very beautiful; of transparent and flexible quality. He primarily used a light red-orange color although it varied greatly from one instrument to another.
Antonio Stradivari, by Edgar Bundy, 1893: a romanticized image of a craftsman-hero. A Stradivarius is one of the string instruments, such as violins, violas, cellos, and guitars, crafted by members of the Stradivari family, particularly Antonio Stradivari (Latin: Antonius Stradivarius), in Cremona, Italy, during the late 17th and early 18th centuries.
A Stradivarius bow, The King Charles IV Violin Bow attributed to the Stradivari Workshop, is currently in the collection of the National Music Museum Object number: 04882, at the University of South Dakota in Vermillion, South Dakota. The Rawlins Gallery violin bow, NMM 4882, is attributed to the workshop of Antonio Stradivari, Cremona, c. 1700 ...
Charles Louis Buthod (1810–1889) was a French luthier, best known for his violins and cellos.Based in Paris, he worked in his early career for the legendary French luthier Jean-Baptiste Vuillaume, rising to become foreman of his workshop.
For much of the 20th century, the Hill workshop employed England's best bow makers, who created bows renowned for character and consistency. Hill violins, cellos and cases are also highly regarded. Their other products included varnish cleaner, violin e-strings, rosin, peg paste, music stands, chinrests, and specialist tools.
In 1815 he was already "an outstanding maker of string instruments", in 1824 he signed a violin as his own work nr. 214. In Fermo he made string instruments, guitars, bows and also restored them. His production was characterized by the accurate choice of woods, elegance of curves and fine varnishes he used, typically gold-yellow or brown-red.
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