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Minor Irregular resolution (Type I: Two common tones, two note moves by half step motion) V7–III7: 2: Major Montgomery–Ward bridge: I–IV–ii–V: 4: Major
In music, a sequence is the restatement of a motif or longer melodic (or harmonic) passage at a higher or lower pitch in the same voice. [1] It is one of the most common and simple methods of elaborating a melody in eighteenth and nineteenth century classical music [1] (Classical period and Romantic music). Characteristics of sequences: [1]
Set 3-1 has three possible versions: [0 1 1 1 2 T], [0 1 1 T E 1], and [0 T T 1 E 1], where subscripts indicate adjacency intervals. The normal form is the smallest "slice of pie" (shaded) or most compact form; in this case, [0 1 1 1 2 T]. This is a list of set classes, by Forte number. [1]
Forte provided each set class with a number of the form c–d, where c indicates the cardinality of the set and d is the ordinal number. [18] Thus the chromatic trichord {0, 1, 2} belongs to set-class 3–1, indicating that it is the first three-note set class in Forte's list. [19]
A look at the lives of Dr. Susan Smith McKinney Steward, the first Black female doctor in New York, and her sister Sarah J. S. Tompkins Garnet, the first Black female principal in NYC.
For example, the relative minor of C major is A minor, and in the key of A minor, the i, iv and v chords are A minor, D minor and E minor. In practice, in a minor key, the third of the dominant chord is often raised by one semitone to form a major chord (or a dominant seventh chord if the seventh is added).
Major and minor keys that share the same key signature are relative to each other. For instance, F major is the relative major of D minor since both have key signatures with one flat. Since the natural minor scale is built on the 6th degree of the major scale, the tonic of the relative minor is a major sixth above the tonic of the major scale ...
Traditionally, "the main use for harmonic minor, when improvising or creating melodies, is over the V7 chord, not for use over the i chord." [8] For example, in the key of A minor, the dominant (V) chord (the triad built on the 5th scale degree, E) is a minor triad in the natural minor scale.