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The expression Laissez les bons temps rouler (alternatively Laissez le bon temps rouler, French pronunciation: [lɛse le bɔ̃ tɑ̃ ʁule]) is a Louisiana French phrase. The phrase is a calque of the English phrase "let the good times roll", that is, a word-for-word translation of the English phrase into Louisiana French Creole.
Written and sung by Cars lead vocalist and rhythm guitarist Ric Ocasek, "Good Times Roll" was released as the third single from the band's debut album. [4] Ocasek wrote the song as a sarcastic commentary on the good times in rock music, saying, "That was my song about what the good times in rock 'n' roll really mean, instead of what they're supposed to be.
Play: Let the good times roll in NOLA! Bring your jazz-loving bride to Bourbon Street for a good time (grab her a Hurricane first!), or head to the calmer Frenchmen Street for some local gems.
"Come On" (often referred to as "Let the Good Times Roll") is a song written by New Orleans rhythm and blues artist Earl King. He first recorded the song as "Darling Honey Angel Child" in 1960 for the Ace Records subsidiary Rex. Later that year, he recorded it as a two-part song for Imperial Records using some new lyrics. Retitled "Come On", it ...
These concerts include the last two nights of their five-concert run at Earls Court Arena in London in May 1975, their show in Seattle's Kingdome in 1977 and their two shows at Knebworth in August 1979. In addition to these, their Royal Albert Hall performance from January 1970 is available.
Jelly Roll has announced dates for a run of 37 tour dates to take him from Labor Day through Halloween of 2024. ... Tickets will be available starting with various presales beginning on Feb. 26 ...
Their biggest hit "Let the Good Times Roll" topped the R&B chart in 1956 and peaked at No. 20 on the Pop chart. [2] Their debut album, Let the Good Times Roll, was released that same year. In 1959, Shirley & Lee moved to Warwick Records, where they ended up re-recording "Let the Good Times Roll." The duo were never able to duplicate the success ...
It replaced the performance venue's former entry and interior ticket area. [ 4 ] Kreielsheimer Promenade has been described by the Seattle Post-Intelligencer as "an appealing indoor garden on the ground level and a series of towering metal scrims overhead onto which fields of color [are] projected, primarily on performance nights". [ 5 ]
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