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In the 1990s, dialect coaches became significant in the film industry as more filmmakers began employing them to train actors to speak in accents. The Los Angeles Times described the general training approach, "It's a process that involves repetition, studying audio- and videotapes, visits to locations where the characters live, along with breathing and vocal exercises."
International Sound Version (also known as Foreign Sound Version) is a term for a film in which all dialogue is replaced with music and foreign inter-titles. It was a method used by movie studios during the early talkie period (1928–1931) to make sound films for foreign markets.
Producing Great Sound for Film and Video is broken into four main sections, ordered to reflect real-world filming situations: Audio Basics; Planning and Pre-Production; Production Sound; Postproduction; Subjects covered include analog versus digital audio, recording and using sound effects, microphone techniques, ADR, mixing, and mastering.
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[72] Freelance voice teacher and speech and language therapist Christina Shewell writes, "Estill Voice Training clarifies many of the complex vocal tract options that shape the style of a singers voice, explaining and demonstrating different combinations of structural conditions, and many singing teachers use the system as part of their teaching."
Once they gather the material and prepare for use, they practice the sounds. When they accomplish the desired sound, they watch the film and add in the sound effects at the same time. This is similar to the way actors re-record dialogue, lip-syncing to the video or film image. Scenes where dialogue is replaced using dubbing also feature Foley ...
Silent film extra Clark Gable, who had received extensive voice training during his earlier stage career, went on to dominate the new medium for decades; similarly, English actor Boris Karloff, having appeared in dozens of silent films since 1919, found his star ascend in the sound era (though, ironically, it was a non-speaking role in 1931's ...
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