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Bethesda Terrace and Fountain are two architectural features overlooking the southern shore of the Lake in New York City's Central Park. The fountain, with its Angel of the Waters statue, is located in the center of the terrace. Bethesda Terrace's two levels are united by two grand staircases and a lesser one that passes under Terrace Drive.
The baptistery's iconography depicts the Stuyvesant family history; icons of New Amsterdam, New York, and Dutch history; and the 12 apostles. [135] [294] The columbarium, established in the 1970s, is in a room directly west of the baptistery. It contains marble vaults, which store the remains of people from all religions. [295]
Avard Fairbanks sculpted the third Angel Moroni statue, which was placed on the Washington D.C. Temple, dedicated in 1974. This angel was created as a one-meter model which was sent to Italy where it was enlarged, cast in bronze, and gilded. The finished statue is 5.5 meters high and weighs over 4,000 pounds (1,800 kg).
The Historical Atlas of New York City: A Visual Celebration of 400 Years of New York City's History (2005) online; Hood. Clifton. In Pursuit of Privilege: A History of New York City's Upper Class and the Making of a Metropolis (2016). Cover 1760–1970. Jackson, Kenneth T., ed. (1995). The Encyclopedia of New York City.
The resurrection of Jesus has long been central to Christian faith and Christian art, whether as a single scene or as part of a cycle of the Life of Christ. In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely ...
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
With the world's annual celebration of his birth mere weeks away, it turns out one of the most revered figures who ever walked the Earth likely didn't look like the pictures of him.
By the end of the 19th century, new reports of miraculous images of Jesus had appeared and continue to receive significant attention, e.g. Secondo Pia's 1898 photograph of the Shroud of Turin, one of the most controversial artifacts in history, which during its May 2010 exposition it was visited by over 2 million people.