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Cort KX500MS Star Dust Green -fanned fret / multi-scale -7-string electric guitar with EMG-pickups. A multi-scale fingerboard (also called multiple scale length fretboard [1]) is an instrument fretboard which incorporates multiple scale lengths. This allows each of the strings to have a different string tension and thus, balanced tonal ...
[7] [8] The guitar featured frets that measured 0.110" wide by 0.055" when new, similar to Dunlop 6100 fretwire. [7] [8] String height was measured to be 5/64" on the high E string and 7/64" on the low E string. [7] [8] Each string had three full winds for the best angle at the bone nut.
The fingerboard features dot inlays with the model name on the 12th fret. It has 24 extra jumbo frets. It comes in silver satin and black satin with black hardware. ESP LTD AX-250; ESP LTD AX-260 - features neck-thru construction in a 25.5" scale. The fingerboard features a custom tribal inlay. It has 24 extra jumbo frets.
End-users and 3rd-party sellers on eBay often describe connectors by their wrong name thus perpetuating confusion of the exact series of a specific connector. It is very common in blogs and websites to incorrectly name a specific connector only by the name of the manufacturer.
A mechanically rigid connection system is required to hold both halves of a B2B motionless (often impossible). Wire to board (W2B) connectors tend to be immune to fretting because the wire half of the connector acts as a spring absorbing relative motion that would otherwise transfer to the contact surfaces of the W2B connector.
A fret is any of the thin strips of material, usually metal wire, inserted laterally at specific positions along the neck or fretboard of a stringed instrument. Frets usually extend across the full width of the neck. On some historical instruments and non-European instruments, frets are made of pieces of string tied around the neck.
Consequently, it is relatively expensive to have done. Generally, luthiers scallop fingerboards with a special milling machine that has 22 or 24 (according to neck dimensions and number of frets) wood cutting tools. This equipment saves time and adds precision to the process of scalloping the wood in the neck's radius the same in all fret spaces.
The term also expresses the fact that, compared to Major chord open tunings, by fretting the lowered string at the first fret, it is possible to produce a major chord very easily. [14] Cross-note or open E-minor was used by Bukka White and Skip James. [15] Cross-note tunings include (low to high): Cross-note A: E-A-E-A-C-E