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Etruscan inscription TINIA on an altar stone from Volsinii. Tinia (also Tin, Tinh, Tins or Tina) was the sky god and the highest deity in Etruscan religion, equivalent to the Roman Jupiter and the Greek Zeus. [1] However, a primary source from the Roman Varro states that Veltha, not Tins, was the supreme deity of the Etruscans. [2]
Etruscan goddess identified with Greek Aphrodite and Roman Venus. She appears in the expression, Turan ati, "Mother Turan", equivalent to Venus Genetrix. [52] Her name is a noun meaning "the act of giving" in Etruscan, based on the verb stem Tur-'to give.' Turmś, Turms: Etruscan god identified with Greek Hermes and Roman Mercurius.
Ruling over them were higher deities that seem to reflect the Indo-European system: Tin or Tinia, the sky, Uni his wife , Nethuns, god of the waters, and Cel, the earth goddess. As a third layer, the Greek gods and heroes were adopted by the Etruscan system during the Etruscan Orientalizing Period of 750/700–600 BC. [18]
She is identified as the Etruscan equivalent of Juno in Roman mythology, and Hera in Greek mythology. [1] As the supreme goddess of the Etruscan pantheon, she is part of the Etruscan trinity, an original precursor to the Capitoline Triad, [2] made up of her husband Tinia, the god of the sky, and daughter Menrva, the goddess of wisdom.
But the Etruscan text does not use the Etruscan word for 'king', lauχum, instead presenting the term for 'magistrate', zilac (perhaps modified by a word that may mean 'great'). This suggests that Tiberius Velianas may have been a tyrant of the kind found in some Greek cities of the time.
A Roman wall painting showing the Egyptian goddess Isis (seated right) welcoming the Greek heroine Io to Egypt. Interpretatio graeca (Latin for 'Greek translation'), or "interpretation by means of Greek [models]", refers to the tendency of the ancient Greeks to identify foreign deities with their own gods.
Made entirely of bronze and measuring 78.5 cm high with a length of 129 cm, [3] it was found alongside a small collection of other bronze statues in Arezzo, an ancient Etruscan and Roman city in Tuscany. The statue was originally part of a larger sculptural group representing a fight between a chimera and the Greek hero Bellerophon.
Hercle can be recognized in Etruscan art from his attributes, or is sometimes identified by name. Since Etruscan literature has not survived, the meaning of the scenes in which he appears can only be interpreted by comparison to Greek and Roman myths, through information about Etruscan myths preserved by Greek and Latin literature, or through conjectural reconstructions based on other Etruscan ...