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"'Let Me Down Easy'" is a song by Roger Daltrey, who at the time was the former lead vocalist of the Who. The song was written by Bryan Adams and Jim Vallance and included on Daltrey's sixth solo studio album Under a Raging Moon (1985) as the first track on the second side of the LP .
"Shoulda Woulda Coulda" is a song by English singer Beverley Knight, released as the second single from her third studio album, Who I Am (2002). Written about the breakup of her long-term relationship because she decided to put her career first, [citation needed] the song became Knight's first top-10 single in the United Kingdom, peaking at number 10 on the UK Singles Chart and topping the UK ...
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
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The book has since been published in a case-size edition by William Bay, Mel's son and has spawned a series of similar books like the Encyclopedia of Guitar Chord Progressions (first published in 1977 [3]), Encyclopedia of Guitar Chord Inversions, Mel Bay's Deluxe Guitar Scale Book, Encyclopedia of Jazz Guitar Runs, Fills, Licks & Lines, and ...
NNS charts also use unique rhythmic symbols, and variations in practice exist. A diamond shape around a number indicates that the chord should be held out or allowed to ring as a whole note. Conversely, the marcato symbol ^ over the number, or a staccato dot underneath, indicates that the chord should be immediately choked or stopped. The "push ...
"What's Easy for Two Is Hard For One" is one of the most covered Motown songs within the company. The Temptations recorded a version in 1965. Remained unreleased until 1999. [3] The Marvelettes recorded a version in 1966. It was released in 1968 (#114 U.S. Pop). [4] Connie Haines released a version in 1966. [5] Barbara Randolph recorded a ...
The irregular major third breaks the fingering patterns of scales and chords, so that guitarists have to memorize multiple chord shapes for each chord. Scales and chords are simplified by major thirds tuning and all-fourths tuning , which are regular tunings maintaining the same musical interval between consecutive open string notes.