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The opening aria for alto, "Komm, du süße Todesstunde" ("Come, o sweet hour of death" [23] or "Come, thou sweet hour of parting" [24]) is accompanied by the recorders. They move in the ritornello in parallel thirds and sixths. [12] The organ serves not only as a bass instrument but supplies the chorale melody. [21]
This category has only the following subcategory. R. Requiem Masses (1 C, 26 P) Pages in category "Christian funeral music"
[1] [7] The movement has an eight-measure ritornello that opens, ends and bisects it, featuring a prominent imitative motif to the words "Ich lasse dich nicht". The two solo voices sing the theme, which was introduced by the continuo, in a canon. [8] The movement is in six-part polyphony of the voices, flute, oboe d'amore and continuo.
In the Orthodox funeral, the coffin is usually open in church [30] (unlike the West, where it is usually closed), and the lower part of the coffin is covered with a funeral pall. The lid of the casket may be left outside the church door, as an invitation to all who pass by to enter and join in the funeral.
The Music for the Funeral of Queen Mary comprises the March and Canzona Z. 780 [1] and the funeral sentence "Thou knowest, Lord, the secrets of our hearts" Z. 58C. It was first performed at the funeral of Queen Mary II of England in March 1695. Purcell's setting of "Thou knowest, Lord" was performed at his own funeral in November of the same ...
Dirge of Three Queens (c. 1895), by Edwin Austin Abbey, inspired by The Two Noble Kinsmen. In the late Medieval period, it was common for Western Christian laity–both men and women–to attend the celebration of the Divine Office (canonical hours) according to various editions of the breviary alongside members of monastic communities. [6]
A memorial service (Greek: μνημόσυνον, mnemósynon, "memorial"; [1] Slavonic: панихида, panikhída, from Greek παννυχίς, pannychis, "vigil" (etymologically "all-nighter"); [2] [3] Romanian: parastas and Serbian парастос, parastos, from Greek παράστασις, parástasis) [4] is a liturgical solemn service for the repose of the departed in the Eastern ...
The motet is scored for two four-part choirs, combined in a single 4-part chorus in movements 2 and 3. Although the concluding chorale "Du heilige Brunst" seems to have been sung at Ernesti's funeral, there is controversy over whether it was combined with the preceding movements or is to considered a separate composition.
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