Search results
Results from the WOW.Com Content Network
Get Out is a 2017 American psychological horror film written and also co-produced, and directed by Jordan Peele in his directorial debut. It stars Daniel Kaluuya , Allison Williams , Lil Rel Howery , LaKeith Stanfield , Bradley Whitford , Caleb Landry Jones , Stephen Root , Catherine Keener and Betty Gabriel .
Get Out is a 2017 American horror film directed by Jordan Peele.The screenplay, also written by Peele, is a critique of racism hidden in the United States. The film stars Daniel Kaluuya as a black man who visits the family of his white girlfriend (Allison Williams), who kidnap and brainwash African-Americans into servitude.
Jordan Haworth Peele (born February 21, 1979) is an American actor, comedian and filmmaker. He is known for his film and television work in the comedy and horror genres. [1] [2] He has received various accolades, including an Academy Award and a Primetime Emmy Award.
Get your free daily horoscope, and see how it can inform your day through predictions and advice for health, body, money, work, and love.
Out of the Past (billed in the United Kingdom as Build My Gallows High) is a 1947 American film noir directed by Jacques Tourneur and starring Robert Mitchum, Jane Greer, and Kirk Douglas. The film was adapted by Daniel Mainwaring (using the pseudonym Geoffrey Homes) from his 1946 novel Build My Gallows High (also written as Homes), [ 1 ] with ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Whiteout (French: Whiteout: Enfer blanc) [5] is a 2009 crime thriller film based on the 1998 comic book of the same name by Greg Rucka and Steve Lieber.Directed by Dominic Sena and starring Kate Beckinsale, Gabriel Macht, Columbus Short and Tom Skerritt, the film was distributed by Warner Bros. and released on September 11, 2009. [6]
Roger Ebert praised the film, awarding it four out of four stars and observing: "Tootsie is the kind of Movie with a capital M that they used to make in the 1940s, when they weren't afraid to mix up absurdity with seriousness, social comment with farce, and a little heartfelt tenderness right in there with the laughs. This movie gets you coming ...