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Krishna Rukmini: K. V. Mahadevan: S. P. Balasubrahmanyam: Kannada: Ābhēri/ Bhimpalasi: Aaj Mere Man Sakhi Bansuri Bajaye Koi Aan: Naushad: Lata Mangeshkar & Chorus Hindi: Ābhēri/ Bhimpalasi: Tere Sadke Balama Amar (1954 film) Naushad: Lata Mangeshkar: Hindi: Ābhēri/ Bhimpalasi: Kuch Dil Ne Kaha Anupama (1966 film) Hemant Kumar: Lata ...
Krishna with a bansuri is sometimes referred to as Venugopal. A bansuri is an ancient side-blown bamboo flute originating from Indian Subcontinent. It is an aerophone produced from bamboo and metal like material used in many Indian and Nepali Lok songs. A bansuri is traditionally made from a single hollow shaft of bamboo with seven finger holes ...
Pandit Raghunath Seth (1931 – 15 February 2014) was a noted Indian exponent of Hindustani classical music through the medium of Bansuri, or bamboo flute; he was also a noted film score composer.
Murali or Flute :The bansuri is revered as Lord Krishna's divine instrument and is often associated with Krishna's Rasa lila dance. These legends sometimes use alternate names for this wind instrument, such as the murali. However, the instrument is also common among other traditions such as Shaivism.
Krishna and Radha dancing the rasalila, a 19th-century painting, Rajasthan. The Raslila (Sanskrit: रासलीला, romanized: Rāsalīlā), [1] [2] also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj.
Krishna's childhood illustrates the Hindu concept of Lila, playing for fun and enjoyment and not for sport or gain. His interaction with the gopis at the rasa dance or Rasa-lila is an example. Krishna plays his flute and the gopis come immediately, from whatever they were doing, to the banks of the Yamuna River and join him in singing and ...
Raghunath Prasanna got his musical training from his father Gauri Shanker, a shehnai player, and from Dauji Mishra from Varanasi. He was the first person in the family to introduce the art of flute (tripura bansuri and Krishna bansuri) in the family tradition, known until then for shehnai playing.
Krishna's ras leela or love play with Radha and other gopis of Vrindavan appear frequently. As an example, here are the lyrics of a thumrī composed by the medieval poet Lalan, celebrating Krishna's flute – how its tunes are driving Radha mad. Braj or Vrindavan is where Krishna is indulging in this love play; Radha is the "Girl of Braj".