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"Bird Song" is a song by British recording artist M.I.A. from her fifth studio album, AIM (2016). It served as the fourth single from the album. It served as the fourth single from the album. M.I.A. announced the release of the single on 1 August 2016, [ 1 ] and that the producers include Diplo and Blaqstarr .
Corridor is a Canadian indie rock band from Montreal, Quebec, consisting of vocalist and bassist Dominic Berthiaume, guitarist Julian Perreault, guitarist and vocalist Jonathan Robert and drummer Julien Bakvis, with the addition of multi-instrumentalist Samuel Gougoux in live performances. [1]
Sugarcane (remix)" reached number one on Apple Music Top 100 Nigeria chart. [19] On 1 May 2022, it debuted at number 20 on the UK Afrobeats Singles chart. On 3 May 2022, it debuted at number 44 on the TurnTable Top 50 Streaming Songs chart. On 8 May 2022, it debuted at number 18 on the Billboard U.S. Afrobeats Songs chart.
"Tori no Uta" (鳥の詩, lit. "Bird's Poem") is a Japanese trance song sung by Lia, written by Jun Maeda, composed by Shinji Orito, and arranged by Kazuya Takase. The song was recorded at Paramount Studio in Los Angeles by the visual novel studio Key through their record label Key Sounds Label for use as the opening theme of Key's 2000 visual novel Air. [1]
Bird Box (Original Score) is the score album for the 2018 film of the same name, composed by Trent Reznor and Atticus Ross.The score was published by Maisie Music Publishing, which accompanied the music catalogue for Netflix, the film's distributor and released by Reznor's The Null Corporation label on January 7, 2019, two weeks after the film's release through the band's website and later ...
It is a reggaeton song about exalting the attributes of women with breast and butt implants, an allegory to remix versions being better than the originals. Commercially, "Remix" reached number 147 on the Billboard Global 200 , as well as number one in Monitor Latino 's Puerto Rico and Mexico and the US Latin Airplay chart, as well as number ...
The Guardian ' s music section commented that it liked Kele's new direction, "even if it does stray close to other electro anthems" such as Wiley's "Wearing My Rolex". [2] Writing for Pitchfork, Ryan Dombal gave the song an overall positive review, commenting that after listening to the song, he "suddenly felt the urge to go to the gym". [3]