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Gem-encrusted cover of the Codex Aureus of St. Emmeram, 870 Ivory plaque, probably from a book cover, Reims late 9th century, with two scenes from the life of Saint Remy and the Baptism of Clovis Typical Limoges enamel cover, c. 1200
The Book Cover Archive "Decorated Publishers Bindings-Grand Valley State University Archives and Special Collections". Archived from the original on 2013-01-06. – containing photographs of decorated publisher bindings from the 1870s to 1930. Historical book cover design gallery (archived 10 January 2007)
John Gall (born 1963 in New Jersey), is an American graphic designer known primarily for the design of book covers.. He is a graduate of Rutgers University. [1]Gall is currently the creative director of Alfred A. Knopf.
Book design is the art of incorporating the content, style, format, design, and sequence of the various components and elements of a book into a coherent unit. In the words of renowned typographer Jan Tschichold (1902–1974), book design, "though largely forgotten today, [relies upon] methods and rules upon which it is impossible to improve ...
The category for fair use images of book covers by Kidd is Category:Book covers by Chip Kidd. Pages in category "Books with cover art by Chip Kidd" The following 64 pages are in this category, out of 64 total.
The book covers of Theodelinda are early medieval gold book covers dedicated by the queen Theodelinda to St. John the Baptist for a basilica which she founded between the sixth and seventh centuries at the Monza Cathedral in Monza, Italy. The book covers feature an inscription in which Theodelinda offers the book to the religious figure.
Gospel Book of Otto III. The cover of the book is a tribute to its contents; it is jeweled with a centerpiece consisting of a Byzantine ivory inlay of the Dormition of the Virgin. The inlay was placed on the cover rather than inside the manuscript because the text of the four gospels does not include reference to the Virgin Mary's death. [4]
Recto page from a rare Blackletter Bible (1497). The canons of page construction are historical reconstructions, based on careful measurement of extant books and what is known of the mathematics and engineering methods of the time, of manuscript-framework methods that may have been used in Medieval- or Renaissance-era book design to divide a page into pleasing proportions.
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