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A las cinco en el Astoria is the first album to feature Leire Martínez as the lead singer, replacing Amaia Montero, who had left in 2007. The first song released was "El Último Vals". The single was produced by Nigel Walker and La Oreja de Van Gogh. All songs are composed by the current members of the band. [2]
First number of El Mercurio de Valparaíso, dated 12 September 1827. El Mercurio de Valparaíso (Spanish pronunciation: [el meɾˈkuɾjo ðe βalpaɾaˈiso]) is the oldest continuously circulating periodical, published under the same name, in the Spanish language. It was founded on September 12, 1827.
"Puedes Contar Conmigo" (Spanish pronunciation: [ˈpweðes konˈtaɾ komˈmiɣo]; "You Can Count On Me") is a song written by Amaia Montero and performed by La Oreja de Van Gogh. It was released in April, 2003, as the first single from their third studio album Lo Que Te Conté Mientras Te Hacías La Dormida .
"El último vals" (The Last Waltz) is the first single from the album A las cinco en el Astoria by the Spanish pop/rock group La Oreja de Van Gogh. It is also the first single released after the departure of the former lead singer of the group Amaia Montero and with the new singer Leire Martínez .
The painting was temporarily on display from 24 September 2013 until 12 January 2014 as part of an exhibition at the Van Gogh Museum in Amsterdam. [4] Its authenticity was questioned several times before it was confirmed as a genuine van Gogh work in 2013. It is the first full-sized painting by Van Gogh to be newly confirmed since 1928. [1] [5]
The high-end art market seems to be a great option for investment these days. On Tuesday, Vincent Van Gogh's painting, L'Allée des Alyscamps sold at a Sotheby's auction for $66.3 million to ...
View of Rooftops- Vincent Van Gogh 1886 View from Apartment in Rue Lepic Drawing- Vincent van Gogh 1887. View of Paris from Vincent's Room in the Rue Lepic (Dutch: Gezicht op de daken van Parijs) is the name of two paintings by the Dutch Post-Impressionist artist Vincent van Gogh from 1887, when he lived with his brother Theo in Paris. [1] [2]
In May 1889 Van Gogh voluntarily entered the asylum of St. Paul near Saint-Rémy in Provence. [2] [3] There Van Gogh had access to an adjacent cell he used as his studio. He was initially confined to the immediate asylum grounds and painted the world he saw from his room, such as ivy covered trees, lilacs, and irises of the garden.