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The Chinese musicologist Yang Yinliu divided the history of guqin into three periods: the first is the pre-Qin period, the second from the Qin dynasty to Tang dynasty, the third from the end of Tang to the 20th century. It is believed that during the first period the qin became popular as part of the court orchestra and as an instrument of the ...
The guqin is a seven-stringed zither that owes its invention to ancient Chinese society some 3,000 years ago. During the Imperial Chinese period, a scholar was expected to play the guqin . Guqin was explored as an art-form as well as a science, and scholars strove to both play it well and to create texts on its manipulation.
The guqin ([kùtɕʰǐn] ⓘ; Chinese: 古琴) is a plucked seven-string Chinese musical instrument.It has been played since ancient times, and has traditionally been favoured by scholars and literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part with his qin or se without good reason," [1] as well as being associated with the ...
Guqin. Guqin is commonly made of paulownia wood, which makes the guqin lighter and its tone sweeter than other woods. In the past, rich families and royalties preferred to use rare woods to make the guqin, such as nanmu, Pterocarpus santalinus, or mahogany. Most rare-wood guqin are protected in museums. [1]
This is a list of literature for the guqin.Qin literature should be distinguished from qinpu which contains music tablature of some sort.. There are a number of ancient sources that discuss qin folklore, qin theory and general qin literature.
Mural of Bo Ya playing a guqin in the Long Corridor of the Old Summer Palace, Beijing. Bo Ya (Chinese: 伯牙; pinyin: Bó Yá) was a Chinese qin player from the state of Chu (楚), [1] which is roughly equivalent to modern-day Jingzhou, Hubei. He lived during the Spring and Autumn period or Warring States period.
Guan Pinghu (4 March 1897 – 28 March 1967), was a leading player of the guqin (古琴), a Chinese 7-string bridgeless zither. Born in Suzhou, Jiangsu, Guan came from an artistic family, and started to learn the guqin from his father, Guan Nianci. After the death of his father when he was thirteen, Guan continued with his father's friend Ye ...
Three thousand scholars petitioned for his pardon, but his enemies were implacable. Before his execution, Ji Kang is said to have played one last melody on the guqin, a swan song forever lost. [2] Ji Kang wrote Guangling San, a composition for the guqin recounting the assassination of a king of Han.