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It was made using casts of an infant's hand to build up a mosaic of black, grey and white handprints, creating a reproduction of the iconic police photograph of a hard-faced Myra Hindley with bouffant peroxide blonde hair taken after her arrest in 1965 (although often reported to have been taken around the time of the trial of the Moors murders ...
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He used black and white images of prints, reproductions or photographs to "pose as subject" and then "improvised color on it." This source of the image for this work, made January 1890, was a photograph of Millet's First Steps painting. [35] Theo had sent the photograph of Millet's First Steps with perfect timing. Theo's wife, Jo, was pregnant ...
Vase of Flowers; Vase of Flowers (van Huysum) A Vase of Flowers (1716) Vase of Flowers and Conch Shell; Vase of Flowers in a Window Niche; Vase with Irises Against a Yellow Background; Vase with Poppies; Vase with White and Red Carnations
The central and centered motif is the young Virgin Mary seated with Baby Jesus on her lap. [b] Depicted in sumptuous clothes and jewellery, with her left hand Mary holds a carnation (red, suggesting blood and the Passion). The faces are put into light while all other objects are darker, e.g. the flower is covered by a shadow.
Georgia O'Keeffe, Untitled, vase of flowers, watercolor on paper, 17 + 3 ⁄ 4 in × 11 + 1 ⁄ 2 in (45.1 cm × 29.2 cm), between 1903 and 1905. O'Keeffe experimented with depicting flowers in her high school art class. Her teacher explained how important it was to examine the flower before drawing it.
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Flowers were the subject of many of van Gogh's paintings in Paris, and one of his many interests due in great part to his regard for flowers. [2] As he said to his brothers Theo Van Gogh and Cor Van Gogh, "You will see that by making a habit of looking at Japanese pictures you will come to love to make up bouquets and do things with flowers all the more."