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Ragtime, also spelled rag-time or rag time, [2] is a musical style that had its peak from the 1890s to 1910s. [1] Its cardinal trait is its syncopated or "ragged" rhythm . [ 1 ] Ragtime was popularized during the early 20th century by composers such as Scott Joplin , James Scott , and Joseph Lamb .
Ragtime is a musical with music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally. It is based on the 1975 novel of the same name by E.L. ...
Classic rag (short for classical ragtime) is the style of ragtime composition pioneered by Scott Joplin and the Missouri school of ragtime composers. These compositions were first considered "classic" by Joplin's publisher, John Stark , as a way to distinguish them from what he considered the "common" rags of other publishers.
Stop-time in Joplin's rags is characterized by directions in the music for performers to stomp their foot to the beat. The sheet music for Joplin's "Ragtime Dance" contains the direction, [6] "Notice: to get the desired effect of 'stop time', that the pianist will please stamp the heel of one foot heavily upon the floor at the word 'stamp'. Do ...
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
The ragtime progression [3] is a chord progression characterized by a chain of secondary dominants following the circle of fifths, named for its popularity in the ragtime genre, despite being much older. [4] Also typical of parlour music, its use originated in classical music and later spread to American folk music. [5]
With a 33-member cast, 12-member creative team and nine-piece orchestra, “Ragtime” ranks among the biggest CCT productions. CCT to present large-scale 'Ragtime' musical at Lincoln Theatre Skip ...
Felix Arndt (1889–1918),"Desecration Rag" (1914), "Nola" (1916), [1] "Operatic Nightmare" (1916); May Aufderheide (1888–1972), "Dusty Rag" (1908) [2]; Roy Bargy ...