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  2. High-Efficiency Advanced Audio Coding - Wikipedia

    en.wikipedia.org/wiki/High-Efficiency_Advanced...

    Die Plattenkiste Albumplayer, Ripper, Converter, and CD Burner that allows you to rip to AAC and aacPlus, convert to AAC and aacPlus and burn AAC and aacPlus to gapless Audio-CD. mp3PRO vs MP3 Archived 2017-02-02 at the Wayback Machine - includes graphs comparing high-frequency performance for MP3pro (similar to HE-AAC+) Official MPEG web site

  3. Comparison of audio coding formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_audio_coding...

    The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.

  4. Glossary of digital audio - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_digital_audio

    Represents the amount of information, or detail, that is stored per unit of time of a recording. Common examples of bit rates include MP3 which is recorded at 128–320 kbits/s, CD quality audio (LPCM) which is recorded at 1,411.2 kbit/s, SACD (DSD) which is recorded at 5,644.8 kbit/s, and DVD-Audio (MLP), which is recorded at 18,000 kbit/s. CD

  5. Opus (audio format) - Wikipedia

    en.wikipedia.org/wiki/Opus_(audio_format)

    Possible bitrate and latency combinations compared with other audio formats. Opus supports constant and variable bitrate encoding from 6 kbit/s to 510 kbit/s (or up to 256 kbit/s per channel for multi-channel tracks), frame sizes from 2.5 ms to 60 ms, and five sampling rates from 8 kHz (with 4 kHz bandwidth) to 48 kHz (with 20 kHz bandwidth, the human hearing range).

  6. Codec listening test - Wikipedia

    en.wikipedia.org/wiki/Codec_listening_test

    "The quality at 128 kbps is very good and MP3 encoders improved a lot since the last test." Also notes that Fraunhofer and Helix codecs are several times faster at encoding than LAME, although virtually identical in terms of perceived audio quality. HydrogenAudio user IgorC (March/April 2011) 2011 March multiple ~64 Ogg Vorbis AoTuV 6.02 Beta-q 0.1

  7. Apple Lossless Audio Codec - Wikipedia

    en.wikipedia.org/wiki/Apple_Lossless_Audio_Codec

    ALAC supports up to 8 channels of audio at 16, 20, 24 and 32 bit depth with a maximum sample rate of 384 kHz. ALAC data is frequently stored within an MP4 container with the filename extension.m4a. This extension is also used by Apple for lossy AAC audio data in an MP4 container (same container, different audio encoding).

  8. Audio Interchange File Format - Wikipedia

    en.wikipedia.org/wiki/Audio_Interchange_File_Format

    Audio Interchange File Format (AIFF) is an audio file format standard used for storing sound data for personal computers and other electronic audio devices. The format was developed by Apple Inc. in 1988 based on Electronic Arts' Interchange File Format (IFF, widely used on Amiga systems) and is most commonly used on Apple Macintosh computer systems.

  9. Advanced Audio Coding - Wikipedia

    en.wikipedia.org/wiki/Advanced_Audio_Coding

    The MPEG-4 audio coding algorithm family spans the range from low bit rate speech encoding (down to 2 kbit/s) to high-quality audio coding (at 64 kbit/s per channel and higher). AAC offers sampling frequencies between 8 kHz and 96 kHz and any number of channels between 1 and 48.