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Diamond in the Rough is the fourth studio album released by American country artist Jessi Colter. It was the second album issued by Colter in 1976; the previous was Jessi, released earlier in the year. Diamond in the Rough was issued under Capitol Records and was produced by Ken Mansfield.
Location of Richland County in Ohio. This is intended to be a complete list of the properties and districts on the National Register of Historic Places in Richland County, Ohio, United States. The locations of National Register properties and districts for which the latitude and longitude coordinates are included below, may be seen in an online ...
BibleWalk (formerly The Living Bible Museum) is a nondenominational [7] Christian wax museum in Madison Township, just outside Mansfield, Ohio, affiliated with the Diamond Hill Cathedral. [6] [8] It depicts scenes of religious importance for Christians, primarily from the Bible.
Jennifer Jeffries, a 17-year-old from Starkville who impressed "American Idol" judges with her unique voice and songwriting talent, is trading in her ticket to Hollywood for a ticket to Hawaii ...
Diamonds in the Rough, a 1972 album by John Prine; Diamond in the Rough, 1974 album by Syl Johnson; Diamond in the Rough, a 1976 album by Jessi Colter, and the title song "Diamond in the Rough", a song by Shawn Colvin from the 1989 album Steady On "Diamond in the Rough", a song by Airbourne from the 2007 album Runnin' Wild
Oak Hill Cottage, built in 1847 by John Robinson, superintendent of the Sandusky, Mansfield, and Newark Railroad, is an historic Gothic Revival brick house with Carpenter Gothic ornamentation located at 310 Springmill Street in Mansfield, Ohio, in the United States. All of the furnishings and artifacts inside the house are original to about the ...
The Raemelton Farm Historic District is a historic district in Mansfield, Ohio, United States.Composed of thirteen contributing properties, it was listed on the National Register of Historic Places in 2003.
Diamonds in the Rough was recorded at Atlantic Recording Studios in New York City. The album's sound homed in on the Appalachian "high lonesome" influences evident on Prine's eponymous debut LP and its bluegrass instrumentation reflects Prine's fascination with early American folk and country music.