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August Klett, or Klotz (1866–1928), was a German outsider artist with schizophrenia and one of the "schizophrenic masters" profiled by Hans Prinzhorn in his field-defining work Artistry of the Mentally Ill. The pseudonym August Klotz (Klotz being a disparaging term for a person of low intelligence) was given by Prinzhorn. [1] He was born in ...
A Faculty of Stage Direction opened in 1948 within the Romanian Art Institute, at that time the center of all Romanian higher education in the arts. The year 1950 saw the founding of the Institute for Film and the Institute for Theatre I. L. Caragiale (named after the classic Romanian playwright).
Works of art were transferred by the Ministry of Culture, from the National Art Museum in Bucharest, and by the local government, including pieces by Barbu Iscovescu, Constantin David Rosenthal, Theodor Aman, George Tattarescu, George Panaitescu Bagdasar, Carol Popp de Szathmary, Ion Andreescu, Karl Storck.
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British artists focused on the dynamic and paradoxical imagery of American pop culture as powerful, manipulative symbolic devices that were affecting whole patterns of life, while simultaneously improving the prosperity of a society. [6] Early pop art in Britain was a matter of ideas fueled by American popular culture when viewed from afar. [4]
To serve its purposes, the Romanian Athenaeum, a building dedicated to art and science, would be erected in Bucharest. [ 1 ] The building was designed by the French architect Albert Galleron , built on a property that had belonged to the Văcărescu family and inaugurated in 1888, although work continued until 1897.
Brâncuși had experimented with this form as early as 1918, with an oak version now found in the collection of the Museum of Modern Art in New York City. [3] The modules were made in the central workshop of Petroșani ( Atelierele Centrale Petroșani ), assembled by Brâncuși's friend engineer Ștefan Georgescu-Gorjan (1905–1985), and ...
Scenography is the practice of crafting stage environments or atmospheres. [1] In the contemporary English usage, scenography can be defined as the combination of technological and material stagecrafts to represent, enact, and produce a sense of place in performance.