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Philippine folk literature refers to the traditional oral literature of the Filipino people.Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups, as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
A host of mythological creatures occur in the mythologies from the Philippines. Philippine mythological creatures are the mythological beasts, monsters, and enchanted beings of more than 140 ethnic groups in the Philippines. Each ethnic people has their own unique set of belief systems, which includes the belief in various mythological creatures.
Portrait of the first man, Malakas, and woman, Maganda, who came out from a bamboo pecked by the bird form of the deity of peace, Amihan, in Tagalog mythology The Maranao people believe that Lake Lanao is a gap that resulted in the transfer of Mantapoli into the center of the world.
The following is a list of gods, goddesses, deities, and many other divine, semi-divine, and important figures from classical Philippine mythology and indigenous Philippine folk religions collectively referred to as Diwatas whose expansive stories span from a hundred years ago to presumably thousands of years from modern times.
Depiction of Lam-Ang, the protagonist of Biag ni Lam-Ang, an Ilocano epic.. Philippine epic poetry is the body of epic poetry in Philippine literature.Filipino epic poetry is considered to be the highest point of development for Philippine folk literature, encompassing narratives that recount the adventures of tribal heroes.
Biag ni Lam-Ang (Life of Lam-Ang), an epic of the Ilocano of northern Luzon, the Philippines; Ibalong Epic, a 60-stanza fragment of a Bicolano full-length folk epic of Bicol Region of the Philippines. Hinilawod, an epic of the Panay-Bukidnons of Panay, the Visayas, central Philippines. Darangen, an epic of the Maranao of Mindanao, the Philippines.
The Philippine revolution brought a wave of nationalistic literary works, with propagandists and revolutionaries advocating for Filipino representation or independence from Spanish authority. Illustrados like Pedro Alejandro Paterno, Graciano Lopez Jaena, Marcelo H. del Pilar, and Jose Rizal contributed to the development of Philippine literature.
Maria is the title given to a Filipino (Tagalog language) version of Cinderella collected by Fletcher Gardner and published in The Journal of American Folklore, in 1906. The story is related both to the international Cinderella narrative, as well as to the motif of the calumniated wife .