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Frank Sinatra Jr. recorded a version of the song, titled "Black Night", on his 1971 album Spice. Dolly Parton's version appears on her 1994 album Heartsongs: Live from Home. [7] Anna Domino (as Snakefarm) recorded a version on the 1999 album Songs From My Funeral. Carl Rutherford recorded a version on his 2001 album, Turn Off the Fear. [26]
Newman says that the song was inspired by his own lighthearted reflection on the Los Angeles music scene of the late 1960s. As with most Newman songs, he assumes a character; in this song the narrator is a sheltered and extraordinarily straitlaced young man, who recounts what is presumably his first "wild" party in the big city, is shocked and appalled by marijuana smoking, whiskey drinking ...
The song was Andy Gibb's fifth single to reach the US Top 10; the single reached No. 9 on the Billboard Hot 100 chart and No. 2 on the Adult Contemporary chart. [1] When Andy Gibb was going to record it, Barry reworked on the song adding the middle eight that was not on the original Bee Gees' version, [2] as Blue Weaver recalls, "When Andy actually went to record it, Barry listened to it [the ...
At its core, 'Don't Let the Old Man In" is a song about how time comes for all of us, but we can't let it get to us. It's another way of saying we should live life to the fullest while we're here ...
No, it’s not about the video game. “Fortnight,” the first single from Taylor Swift’s “The Tortured Poets Department,” is a duet with Post Malone.. Before we delve into the lyrics, let ...
It is a lament about the danger and drudgery of being a coal miner in a shaft mine. It has become a rallying song among miners seeking improved working conditions. The song achieved much of its fame when it was performed by Johnny Cash in his Folsom Prison concert (At Folsom Prison). During this live performance, one of the prisoners in the ...
The words of the song are addressed to the singer/poet's lover. The lyric is often assumed to be by Shakespeare, although he could have been referencing an existing song. The play's first documented performance was in 1602. There is an instrumental piece entitled O Mistress Mine by Shakespeare's contemporary Thomas Morley which appeared in 1599 ...
The song is peppered with instances of light-hearted humor and coffee puns. She sings, “Now he’s thinkin’ ‘bout me every night, oh / Is it that sweet? I guess so / Say you can’t sleep ...