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ITC Willow was designed by Tony Forster in 1990. Although a contemporary typeface, Willow is the reminiscent of the Scottish Arts and Crafts style made popular by painter and social reformer Jessie Marion King (1875–1949), and architect and designer Charles Rennie Mackintosh (1868–1928) of the Glasgow School.
The Charles Rennie Mackintosh Society encourages greater awareness of the work of Mackintosh as an architect, artist and designer. The rediscovery of Mackintosh as a significant figure in design has been attributed to the designation of Glasgow as European City of Culture in 1990, [ 38 ] and exhibition of his work which accompanied the year ...
Description: Dans le Kelvingrove Museum, l'exposition "Mackintosh and the Glasgow Style" présente l'origine du style de Glasgow, Il commente les oeuvres et la vie de l'architecte, peintre et designer Charles Rennie Mackintosh, de son épouse Margaret Macdonald et de sa soeur Frances Macdonald, en particulier leur exposition commune à la Sécession de Vienne en 1900, puis la conception des ...
Their most notable employee was Charles Rennie MacKintosh, who started as a draughtsman in April 1889 [1] and rose to partner level. The creation of the new Honeyman, Keppie and MacKintosh marked the next phase in the evolution of the practice which as Honeyman and Keppie existed from 1888 to 1904.
Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism . His work, alongside that of his wife Margaret Macdonald , was influential on European design movements such as Art Nouveau and Secessionism and praised by ...
Although he never attended the School, Morris soon became friends with Charles Rennie Mackintosh and his contemporaries, and his own work quickly began to incorporate Glasgow Style motifs. He is known, for example, to have visited the art studio of the sisters Frances Macdonald and Margaret Macdonald at 128 Hope Street.
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