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Olodum is widely credited with developing the music style known as samba reggae and for its active participation in carnaval each year. Neguinho do Samba, the lead percussionist, created a mix of the traditional Brazilian samba beat with merengue, salsa, and reggae rhythms for the Bahian Carnival of 1986; this became known as samba reggae.
Olodum had combined the traditional samba with sounds from a number of other Caribbean music genres, including: merengue, salsa, and reggae. The toques, or "drumming patterns", that categorized the samba-reggae beat was composed of "a pattern in which the surdo bass drums divided themselves into four or five interlocking parts.
Neguinho do Samba (1954 or 1955 [1] – October 31, 2009), born Antonio Luis Alves de Souza, was a Brazilian percussionist and musician. Samba was the founder of Olodum, an internationally known cultural group based in Salvador, Brazil. [2] Samba, a resident of Pelourinho, was considered to be the "father" of samba reggae in Bahia. [3]
Michael Jackson collaborated with Olodum in this video, which featured 200 members of the band playing their different types of drums to the sound of samba-reggae from Salvador. Due to this video, Olodum was exposed to 140 countries, increasing the reach of Afro-Brazilian samba-reggae.
Her style is considered axé but her music also steers into samba and MPB territory, at times drawing on African rhythms and reggae. Menezes is best known in Brazil for the debut single "Faraó (Divindade do Egito)" 1988 of Olodum and for "Me Abraça e Me Beija", a major hit in 1990. She also scored another hit with "Dandalunda", a song which ...
Batala founder Giba Gonçalves with members of Batala in New York City. Batalá is an international samba reggae music project. The name Batalá is a combination of the phrase "bate lá" meaning "hit there" in Portuguese and Obatalá (Oxalá), the Candomblé deity who is the father of the Orixas and of all humanity.
Government agency webpages about HIV, LGBTQ+ people and multiple other public health topics were down as of Friday evening due to President Donald Trump's executive orders aimed at gender ideology ...
[5] [7] Musically speaking, the inspiration for the shift was twofold: One was the desire to further experiment with both Latin and indigenous strains of the music of Brazil, including the percussive style of the Salvador, Bahia samba reggae group Olodum. [11] Roots was also inspired by Korn's self-titled debut, with its heavily down-tuned ...