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Abdul Hayee (8 March 1921 – 25 October 1980), popularly known by his pen name Sahir Ludhianvi, was an Indian poet who wrote primarily in Urdu in addition to Hindi. [1] He is regarded as one of the greatest film lyricist and poets of 20th century India. [2] His work influenced Indian cinema, in particular Hindi language films. [3]
Ludhianvi is a Muslim surname, meaning someone from Ludhiana in India. The surname may refer to the following notable people: Abdul Majeed Ludhianvi (1934–2015), Pakistani Islamic scholar; Barkat Ali Ludhianwi (1911–1997), Pakistani Muslim Sufi of the Qadri tariqa; Habib-ur-Rehman Ludhianvi (1892–1956), Indian Islamic religious leader
Sahir is a given name. Notable people with the name include: Sahir Maharaj (born 1999), Data Scientist, and AI Engineer; Sahir Edoo (born 1987), Mauritian badminton player; Sahir Hoshiarpuri (1913–1994), Urdu poet; Sahir Lodhi, Pakistani actor, director, and host; Sahir Ludhianvi (died 1980), Urdu poet; Sahir Naqash (born 1990), German cricketer
] Sahir's work in the film's music was particularly praised; As stated in The Hindu, "While for Pyaasa, a film considered the brainchild of Guru Dutt, the soul behind the film was its lyricist Sahir Ludhianvi". [20] Pyaasa marked the last collaboration of the long-lasting team of composer Burman and lyricist Ludhianvi. [21]
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Ravi's most notable work is with Chopra brothers. From Gumrah he continuously worked with Sahir Ludhianvi, the lyricist. Waqt, Humraaz, Admi aur Insan, Dhund, Nikah and Dehleez were among his all-time hit films He was very comfortable with Sahir and gave beautiful tunes to his poetry also for Aaj aur kal, Kajal, Ankhein, Neelkamal, Do kaliyan ...
Although the love story of Amrita and Sahir Ludhianvi was famous at that time. Both were open about their love towards each other. Sahir was a famous poet and lyricist in Hindi Cinema. He never lived with her. He was too busy in his professional and personal life. A new women singer Sudha Malhotra came into Sahir's life and Amrita was in disunion.
That's the reason one finds in his account the work profiled by Mirza Ghalib, Daagh, Wali Mohammed Wali, Ali Sardar Jafri, Majrooh Sultanpuri, Sahir Ludhianvi, and among the new ones Naqsh Lyallpuri, Nida Fazli, Jan Nisar Akhtar and Ahmed Wasi. [19] Khayyam's music had the touch of ghazal but was rooted in Indian classical music. The ...