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The Rebel Outlaw: Josey Wales is a 1973 American Western novel (also titled Gone to Texas in later editions) [1] written by Asa Earl Carter (under the pen name Forrest Carter). It was adapted into the film The Outlaw Josey Wales directed by and starring Clint Eastwood. [3] [4] The novel was republished in 1975 under the title Gone to Texas. [5]
The Outlaw Josey Wales is a 1976 American revisionist Western film set during and after the American Civil War. [3] It was directed by and starred Clint Eastwood (as Josey Wales ), with Chief Dan George , Sondra Locke , Bill McKinney , and John Vernon .
The Vengeance Trail of Josey Wales is a 1976 novel by the American writer Asa Carter, published under his pen name Forrest Carter. It is the second novel to feature his Josey Wales character and a sequel to The Rebel Outlaw: Josey Wales (1973). In the sequel, Wales follows the tracks of a group of Mexican criminals into Mexico. [1]
The Return of Josey Wales is a 1986 American Western film directed by and starring Michael Parks. [2] [3] It is a sequel to Clint Eastwood's 1976 film The Outlaw Josey Wales and was adapted from The Vengeance Trail of Josey Wales, the second novel featuring the Josey Wales character, by Asa Earl Carter.
Josey Wales is a fictional character created by author Asa Earl Carter (writing under the pseudonym Forrest Carter as a supposedly Cherokee writer) for his 1973 novel The Rebel Outlaw: Josey Wales [1] (republished in 1975 as Gone to Texas). Wales is portrayed in the 1976 western film The Outlaw Josey Wales by actor and director Clint Eastwood. [1]
In 1976 he acted in Clint Eastwood's The Outlaw Josey Wales, [15] and George McCowan's Shadow of the Hawk. [16] On television the following year he had a role in the 1978 miniseries Centennial, based on the book by James A. Michener. In 1979, he acted in Americathon, [17] and Spirit of the Wind. [18] In 1980 he had his final film role in ...
Lubbock police were called on dozens of dumpster-divers working to salvage books after Josey Records trashed them Wednesday.
Today, a debate continues as to whether the book's lessons are altered by the identity of the author. Sherman Alexie has said Little Tree "is a lovely little book, and I sometimes wonder if it is an act of romantic atonement by a guilt-ridden White supremacist, but ultimately I think it is the racial hypocrisy of a White supremacist". [7]
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