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The Ghost of Milo Booth October 1, 1977 Scooby-Doo and Scooby-Dum's actor cousin, Scooby-Dee, is remaking a movie when the ghost of the original film's star, Milo Booth, appears and kidnaps her, replacing her with a doppelganger. The gang must head into a cemetery haunted by Booth's ghost to find her, only to be locked inside Booth's crypt. Jim ...
You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard. This demo was originally released on cassette by Elsinor Records.
"Ghost" achieved success in Canada, attaining the peak position of #14 on the Canadian Hot 100 and being certified Platinum by Music Canada. The song appears on the MuchDance 2011 compilation that was released in November 2010. [1] It also was performed as the lip sync song of the 3rd episode of the second season of Canada's Drag Race.
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
Loudwire ranked the same song as the second Best Metal Song of 2015. [47] Meliora was certified platinum by the International Federation of the Phonographic Industry in November 2016, for sales of 40,000. [48] The album debuted at No. 8 on the Billboard 200 chart, with an estimated 29,000 copies sold in its first week. [49]
Ghost of a Dog is the second album by American alternative rock band Edie Brickell & New Bohemians, released in 1990. [7] [8] In the printed lyrics that accompany the album, each song has a word with a single letter missing. In order, they spell out "ghost of a dog." The album sold about 500,000 copies. [9]
Caramba was a Swedish novelty music group. They released one self-titled album in 1981, with the single "Hubba Hubba Zoot Zoot" peaking at number 1 in Sweden. [1] The album is chiefly notable due to the entire album being recorded in nonsense language.
The song's driving rhythm, basically the first bar of a 3 2 clave, came to have widespread use in jazz comping and musicians still reference it by name. [4] Harmonically, the song features a five-chord ragtime progression (I-III7-VI7-II7-V7-I). [5] Recordings of The Charleston from 1923 entered the public domain in the United States in 2024. [6]