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Even in the silent film era, films were shown with sounds, often with musical accompaniment by a pianist or an orchestra keeping time with the screen action. The first synchronization was a turning recording device marked with a white spot. As the white spot rotated, the cameraman hand-cranked the camera to keep it in sync with the recording.
When Joseph P. Kennedy and other investors merged Film Booking Offices of America (FBO) with the Keith-Albee-Orpheum theater chain and Radio Corporation of America; the resulting movie studio RKO Radio Pictures used RCA Photophone as its primary sound system. In March 1929, RKO released Syncopation, the first live-recorded film made with RCA ...
A click track is a series of audio cues used to synchronize sound recordings, sometimes for synchronization to a moving image.The click track originated in early sound movies, where optical marks were made on the film to indicate precise timings for musical accompaniment.
The most complex part of telecine is the synchronization of the mechanical film motion and the electronic video signal. Every time the video (tele) part of the telecine samples the light electronically, the film (cine) part of the telecine must have a frame in perfect registration and ready to photograph.
Tri-level sync is an analogue video synchronization pulse primarily used for the locking of high-definition video signals . It is preferred in HD environments over black and burst, as timing jitter is reduced due to the nature of its higher frequency. It also benefits from having no DC content, as the pulses are in both polarities. [1]
The History of the British Film 1918–1929 (The History of British Film, Volume IV). Oxford and New York: Routledge/Taylor & Francis. ISBN 0-415-15649-1; Low, Rachael (1997b [1985]). The History of the British Film 1929–1939: Film Making in 1930s Britain (The History of British Film, Volume VII). Oxford and New York: Routledge/Taylor & Francis.
Mickey Mousing occurred with forms of the Villain's Theme, such as with steps synchronized with the notes [1] Play ⓘ. In animation and film, "Mickey Mousing" (synchronized, mirrored, or parallel scoring) is a film technique that syncs the accompanying music with the actions on screen, "Matching movement to music", [2] or "The exact segmentation of the music analogue to the picture."
Generator locking can be used to synchronize as few as two isolated sources (e.g., a television camera and a videotape machine feeding a vision mixer (production switcher)), or in a wider facility where all the video sources are locked to a single synchronizing pulse generator (e.g., a fast-paced sporting event featuring multiple cameras and recording devices).