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Charulatha Mani is a leading Carnatic music vocalist and cine playback singer and with a huge fan following in India and abroad. Gifted with a rich, melodious voice, and amazing creativity she has a vast repertoire of compositions of various genres, and this has made her one of the most popular and renowned artistes of today.
Revati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an audava rāgam (or owdava rāgam, meaning pentatonic scale). It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes).
Composed only lyrics. Music is set by a few contemporary musicians; Samavedam Shanmukha Sarma (b. 1967) Composed only lyrics. Music is set by a few contemporary musicians; Suguna Purushothaman (1941–2015) Composed navagraha krithis in Tamil; T. V. Gopalakrishnan (b. 1932) T. R. Subramaniam (1929–2013) R. Ramachandran Nair (Thulasivanam - b ...
The Maharajapuram Santhanam Day is celebrated on 3 December every year. His sons Maharajapuram S. Srinivasan, Maharajapuram S. Ramachandran, and his primary disciple Dr. R. Ganesh are now carrying on his musical tradition.
There are different types of swara sthayis, or note pitches, that lead to the total number of melakartha ragas. These different variations of swaras lead to more than one combination of the musical scale.
Charukesi scale with Shadjam at C. It is the 2nd rāgam in the 5th chakra Bana.The mnemonic name is Bana-Sri.The mnemonic phrase is sa ri gu ma pa dha ni. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
Varnam is a type of composition which is suited for vocal exercises of a wide variety of Carnatic music aspects, including slow and fast tempo of singing, both lyrics and swarams. It is the most complex of vocal exercises.
In Carnatic music, Neraval also known as Niraval or Sahitya Vinyasa is the elaboration and improvisation of melody for a particular line. Usually, just one or two lines of text from the song (from the anupallavi or charanam part of the kriti) are sung repeatedly, but with improvised elaborations. [1]