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Die lustigen Weiber von Windsor, or The Merry Wives of Windsor, is an 1849 opera in three acts by Otto Nicolai to a German libretto by Salomon Hermann Mosenthal based on Shakespeare's play. Published as a comical-fantastical work in three acts with dance (komisch-phantastische Oper in 3 Akten mit Tanz) , its structure is musical numbers linked ...
Hess has also composed much concert music, particularly for symphonic wind band, including commissions from Royal Air Force Music Services and the Band of the Coldstream Guards. July 2007 saw the première of Hess’s Concerto for Piano and Orchestra [ 3 ] (Classical Brits Nomination for Composer of the Year), commissioned by the Prince of ...
All of Nicolai's operas were originally written in Italian, the sole exception being his last and best known opera, The Merry Wives of Windsor, written in German. At one time he was even more popular in Italy than Verdi. [4] During the early 1840s, Nicolai established himself as a major figure in the concert life of Vienna.
Overture to The Merry Wives of Windsor (also known as The Merry Wives of Windsor Overture) is a 1953 American short musical film produced by Johnny Green.It won an Oscar in 1954 for Best Short Subject (One-Reel). [1]
The Merry Wives of Windsor or Sir John Falstaff and the Merry Wives of Windsor [1] is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a reference to the town of Windsor , also the location of Windsor Castle in Berkshire, England .
In Shakespeare's The Merry Wives of Windsor (written c. 1597; first published in 1602), the character Mistress Ford refers twice to "the tune of 'Greensleeves'", and Falstaff later exclaims: Let the sky rain potatoes! Let it thunder to the tune of 'Greensleeves'! These allusions indicate the song was already well known at that time.
Die lustigen Weiber von Windsor (1849) by Otto Nicolai, based upon The Merry Wives of Windsor. [18] Le songe d'une nuit d'été (1850), an opera by Ambroise Thomas in which Shakespeare and Falstaff meet. [19] Falstaff (1893), Giuseppe Verdi's last opera, with a libretto by Arrigo Boito. It is mostly based upon The Merry Wives of Windsor. [20]
Vaughan Williams was engaged to write incidental music at Stratford between 1912 and 1913. Rosabel Watson directed and arranged music for many productions at Stratford and elsewhere. [3] A Shakespeare Music Catalogue (1991) lists over 20,000 items of theatrical and non-theatrical music associated with Shakespeare, much of it unpublished. [4]