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Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
Christian meditation aims to heighten the personal relationship based on the love of God that marks Christian communion. [3] [4] According to Clowney it is the search for wisdom, not ecstasy, that marks the path of Christian meditation, a wisdom sought in the "Christ of Scripture and the Scripture of Christ". [35]
New Monasticism is a diverse movement, not limited to a specific religious denomination or church and including varying expressions of contemplative life. These include evangelical Christian communities such as "Simple Way Community" and Jonathan Wilson-Hartgrove's "Rutba House," European new monastic communities, such as that formed by Bernadette Flanagan, spiritual communities such as the ...
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
The son of a church deacon who taught Sunday school and was baptized at 11, Carter experienced a religious reawakening in 1967 that became the basis for his social and political ethic.
Much Christian art borrowed from Imperial imagery, including Christ in Majesty, and the use of the halo as a symbol of sanctity. Late Antique Christian art replaced classical Hellenistic naturalism with a more abstract aesthetic. The primary purpose of this new style was to convey religious meaning rather than accurately render objects and people.
Bernhard Lohse (1928–1997) states that the doctrine of the Trinity does not go back to non-Christian sources such as Plato or Hinduism and that all attempts at suggesting such connections have floundered. [126] The majority of Christians are now Trinitarian and regard belief in the Trinity as a test of true orthodoxy of belief. [118]
Such images functioned as powerful relics as well as icons, and their images were naturally seen as authoritative as to the true appearance of the subject: naturally and especially because of the reluctance to accept mere human productions as embodying anything of the divine, a commonplace of Christian deprecation of man-made "idols". Like ...