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In some kinds of metre, such as the Greek iambic trimeter, two feet are combined into a larger unit called a metron (pl. metra) or dipody. The foot is a purely metrical unit; there is no inherent relation to a word or phrase as a unit of meaning or syntax, though the interplay between these is an aspect of the poet's skill and artistry.
The term describes the rhythm, or meter, established by the words in each line. Rhythm is measured in small groups of syllables called "feet". "Iambic" indicates that the type of foot used is the iamb, which in English is an unstressed syllable followed by a stressed syllable (as in a-BOVE). "Pentameter" indicates that each line has five "feet".
A metrical foot (aka poetic foot) is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry. In some metres (such as the iambic trimeter) the lines are divided into double feet, called metra (singular: metron). Monosyllable; Disyllable: metrical foot consisting of 2 syllables.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
An iamb (/ ˈ aɪ æ m / EYE-am) or iambus is a metrical foot used in various types of poetry.Originally the term referred to one of the feet of the quantitative meter of classical Greek prosody: a short syllable followed by a long syllable (as in καλή (kalḗ) "beautiful (f.)").
A pyrrhic (/ ˈ p ɪr ɪ k /; Greek: πυρρίχιος pyrrichios, from πυρρίχη pyrrichē) is a metrical foot used in formal poetry. It consists of two unaccented, short syllables. [1] It is also known as a dibrach.
The first three feet in both lines are dactyls. Another example is the opening lines of Walt Whitman's poem "Out of the Cradle Endlessly Rocking" (1859), a poem about the birth of the author's poetic voice: Out of the cradle, endlessly rocking [a dactyl, followed by a trochee ('cradle'); then another dactyl followed by a trochee ('rocking')]
However, because of contradictions in the original definitions, writers use these words in different ways. In music, arsis is an unaccented note , while the thesis is the downbeat. [3] However, in discussions of Latin and modern poetry the word arsis is generally used to mean the stressed syllable of the foot, that is, the ictus. [4]