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In the 1960s pioneering professionals like that of Herman Feifel (1959), Elisabeth Kübler-Ross (1969), and Cicely Saunders (1967) encouraged behavioral scientists, clinicians, and humanists to pay attention and to study death-related topics. This initiated the death-awareness movement and began the widespread study of death-related behavior ...
Herman Braun-Vega (7 July 1933 in Lima — 2 April 2019 in Paris) [1] was a Peruvian painter and artist.. Although his work has always been figurative, it was at first (before 1970) close to abstraction.
Autopsy (1890) by Enrique Simonet. Thanatology is the scientific study of death and the losses brought about as a result. It investigates the mechanisms and forensic aspects of death, such as bodily changes that accompany death and the postmortem period, as well as wider psychological and social aspects related to death.
Feifel spends a lot of time with Scooter, a boy a grade ahead of Hoffman at school. Feifel starts to pick Hoffman up for practice and shows him pornography. Hoffman becomes his new favored companion and is shown adult pornography on 8mm movies and pornographic cartoons featuring Disney cartoon characters.
Mission Vuelta al Campo ("Return to the Countryside"; implementation announced in mid-2005) is one of the Bolivarian Missions (a series of anti-poverty and social welfare programs) implemented by former Venezuelan president Hugo Chávez. Mission Vuelta al Campo seeks to encourage impoverished and unemployed urban Venezuelans to willingly return ...
Al Herman (born Alexander Himan; February 25, 1885 or 1887 – July 2, 1967) was an American vaudeville performer and actor. He was born in Scotland to Joseph Himan, of Russian origin, and his English wife Mary. Official sources give both 1885 and 1887 as his birth year.
Campo (Spanish:; Catalan:) is a town in the county of Ribagorza, in the province of Huesca, in Aragon, Spain. Situated in a valley between 2 rivers, the Esera and Rialbo, it is surrounded by snow-capped Pyrenean mountain peaks: most notably, the Turbón (2.492 m) and Cotiella (2.912 m).
Como la flor prometida (Like the promised flower) is the seventh studio album of the Spanish singer-songwriter Luz Casal, released in 1995 after a four-year hiatus due to the unexpected success of A Contraluz, her previous album.