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This reduction was kept to a minimum by reducing the width of the normal KS perforations so that they were nearly square, but of DH height. This was the CinemaScope, or CS, perforation, known colloquially as fox-holes. Later still an optical soundtrack was added, further reducing the aspect ratio to 2.35:1 (1678:715).
The pixel aspect ratio support is also required to display, without distortion, legacy digital images from computer standards and video-games what existed in the 80s. In that generation, square pixels were too expensive to produce, so machines and video cards like the SNES, CGA, EGA, Hercules, C64, MSX, PC-88, X68000 etc had non-square pixels. [1]
This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format.
The anamorphic widescreen format in use today is commonly called 'Scope' (a contraction of the early term CinemaScope), or 2.35:1 (the latter being a misnomer born of old habit; see "Aspect ratio" section below). Filmed in Panavision is a phrase contractually required for films shot using Panavision's anamorphic lenses. All of these phrases ...
Films shot in CinemaScope or Panavision are usually projected at a 2.39:1 aspect ratio, though the historical aspect ratio can be 2.66:1 (original separate magnetic sound aspect ratio), 2.55:1 (original four-track magnetic sound aspect ratio) or 2.35:1 (original mono optical sound aspect ratio, and much later "stereo variable-area" aspect ratio ...
These may also use other aspect ratios by cropping otherwise black bars at the top and bottom which result from cinema aspect ratios greater than 16∶9, such as 1.85 or 2.35 through 2.40 (dubbed "Cinemascope", "21∶9" etc.), while the standard horizontal resolution, e.g. 1920 pixels, is usually kept.
Original aspect ratio of CinemaScope before optical sound was added to the film in 1954. This was also the aspect ratio of CinemaScope 55. 2. 592:1 = 70:27 Cinerama at full height (three specially captured 35 mm images projected side by side into one composite widescreen image). 2. 6:1 = 8:3 = 24:9
21:9" ("twenty-one by nine" or "twenty-one to nine") is a consumer electronics (CE) marketing term to describe the ultrawide aspect ratio of 64:27 (2. 370:1 or 21. 3:9), designed to show films recorded in CinemaScope and equivalent modern anamorphic formats. The main benefit of this screen aspect ratio is a constant display height when ...
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