Search results
Results from the WOW.Com Content Network
Australian linguistics professor Michael Haugh differentiated between teasing and mockery by emphasizing that, while the two do have substantial overlap in meaning, mockery does not connote repeated provocation or the intentional withholding of desires, and instead implies a type of imitation or impersonation where a key element is that the nature of the act places a central importance on the ...
Kipling's narrative voice contrasts the purported eternal wisdom of these commonplace texts with the fashionable and (in Kipling's view) naïve modern ideas of "the Market-Place", making oblique reference, by way of puns or poetic references to older geological time periods, to Welsh-born Lloyd George and Liberal efforts at disarmament ("the Cambrian measures"), feminism ("the ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 14 January 2025. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
Remounted page from Beowulf, British Library Cotton Vitellius A.XV, 133r First page of Beowulf, contained in the damaged Nowell Codex (132r). The Nowell Codex is the second of two manuscripts comprising the bound volume Cotton MS Vitellius A XV, one of the four major Old English poetic manuscripts.
Hair was often shoulder-length, sometimes pulled up in the back with a comb to imitate the hairstyles of the condemned. Some sported large monocles. They frequently affected a lisp, allegedly to avoid the letter "R" as in revolution, and sometimes a stooped, hunchbacked posture or slouch, as caricatured in numerous cartoons of the time. [5]
Caravaggio's version of the scene combined Pilate's display with the earlier moment of Christ, already crowned with thorns, mockingly robed like a king by his tormentors. Massimi already possessed a Crowning with Thorns by Caravaggio (thought to be the Crowning with Thorns in Prato [7]), and Ecce Homo may have been intended as a companion piece ...
The Parable of the Mote and the Beam by Domenico Fetti c. 1619. The Mote and the Beam is a parable of Jesus given in the Sermon on the Mount [1] in the Gospel of Matthew, chapter 7, verses 1 to 5.
In contrast, a few years later, artists such as Caravaggio and his followers would rebel against representing spatial depth in colour and light, and introduce tenebrous dramatic realism into their art instead. But it would be inappropriate to view Annibale Carracci as solely the continuation of an inherited tradition; in his day, his vigorous ...